The Rhythmic Interpretation of Monophonic Music
The Rhythmic Interpretation of Monophonic Music
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单音音乐的节奏解读
DOI：
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发表时间：
1984
期刊：
影响因子：
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通讯作者：
Christopher S. Lee
中科院分区：
文献类型：
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作者：
H. C. Longuet;Christopher S. Lee
对一首格律音乐的节奏诠释要求假定一个潜在的节拍，并根据这个节拍分析音符的值。在这篇文章中，我们发展了这一观点的含义，其中包括以下命题。1.原则上，任何给定的音符值序列在节奏上都是模糊的，尽管这种模糊性对听者来说很少明显。2.在为一个给定的音符序列选择节奏解释时，听者似乎受到一个强烈的假设的指导：如果这个序列可以被解释为一个非切分音段落的实现，那么他就会这样解释它。3.乐句可以对听者赋予给定序列的节奏解释产生重要影响。因此，短语可以起到结构性的作用，也可以起到纯粹的装饰性作用。
The assignment of a rhythmic interpretation to a piece of metrical music calls for the postulation of an underlying meter and the parsing of the note values according to this meter. In this article we develop the implications of this view, which include the following propositions. 1. Any given sequence of note values is in principle rhythmically ambiguous, although this ambiguity is seldom apparent to the listener. 2. In choosing a rhythmic interpretation for a given note sequence the listener seems to be guided by a strong assumption: if the sequence can be interpreted as the realization of an unsyncopated passage, then that is how he will interpret it. 3. Phrasing can make an important difference to the rhythmic interpretation that the listener assigns to a given sequence. Phrasing can therefore serve a structural function as well as a purely ornamental one.