From "Exekution" to "Performance". A 'Begriffsgeschichte' of musical performance from the 18th century.

在对18、19和20世纪的研究中，本项目考察了音乐表演概念领域的恒定、发展和革命。通过选择九个案例研究（chronotopoi），将调查集中在少数几个地点和相对较短的时间跨度上，有可能将“执行”，“Vortrag”，“Ausführung”，“Aufführung”，“解释”，“Wiedergabe”，“Reproduktion”和“Performanz”等概念纳入其各自的美学，制度和文化领域。为了记录各种各样的音乐活动和关于音乐的话语，收集和分析了大量不同类型的来源。通过将单一案例研究中的广泛共时方法与研究之间的历时发展相结合，通常独立的概念语义学和概念专名学历史可以一起工作。该项目是“音乐作为'Ereignis'”研究努力的一部分。以绩效为中心的史学观点”。在延长期的第一阶段（2013年11月至2014年10月），将扩大现有成果，最终完成三项研究。第一，将探索其他不易获得的来源。跨越科学学科和语言界限的探索将在跨学科的欧洲背景下解释迄今为止的发现。将突出强调个案研究之外的一些选定的概念发展。第二阶段（2014年11月-2015年10月）首先对该项目的理论和方法意义进行联合解释，作为单篇研究论文的介绍。特别是，“chronotopos”的概念将介绍，解释和批判性剖析。之后，收集到的音乐表演资料将在互联网上公布。这些数据将通过额外的信息（即所谓的注释）得到丰富。除了音乐参数，如作曲家和作品，一些语言参数，如词性或句法特征，也将被标记。最后，“音乐作为‘Ereignis’”的努力将成为国际和跨学科研讨会的焦点，反思所取得的成果，并展望未来。

In studies about the 18th, 19th and 20th century, this project investigates constants, developments and revolutions in the conceptual field of musical performance. By choosing nine case studies (chronotopoi), which focus the investigation onto a handful of locations and relatively short time-spans, it is possible to situate the concepts "Exekution", "Vortrag", "Ausführung", "Aufführung", "Interpretation", "Wiedergabe", "Reproduktion" and "Performanz" within their respective aesthetic, institutional and cultural spheres. In order to document a broad variety of musical activities and discourses about music, a plenitude of different type of sources are collected and analysed. By combining a broad synchronic approach within the single case studies with diachronic developments between the studies, the usually separate concepts of semasiological and onomasiological history of concepts are made to work together. This project is part of the research-endeavour "Music as 'Ereignis'. Perspectives of a performance-focused historiography". As such, it lays out the endeavour's conceptual and terminological groundwork.In the first phase of the extension period (11/2013-10/2014), the current results will be broadened, leading to completion of the three single studies. First, additional, less accessible sources will be explored. Explorations transgressing the boundaries of scientific disciplines and languages will then situate the findings-so-far in a interdisciplinary, European context. Some select conceptual developments that lie outside of the case-studies will be highlighted. Finally, the time before and after of the current period of investigation (1720-1975) shall be looked into.The second phase (11/2014-10/2015) begins with composing a joint explanation of the project's theoretical and methodical implications, which is meant to serve as the introduction to the volume in which the single studies are to be published. In particular, the concept of "chronotopos" will be introduced, explained and critically dissected. After that the collected sources about musical performance will be published on the internet. The data will be enriched with additional information, a so-called annotation. Aside from musical parameters, such as composers and works, some linguistic parameters, such as part-of-speech or syntactical features, will be marked as well. In the end, the endeavour "Music as 'Ereignis'" will be made the focus of an international and interdisciplinary symposium, reflecting upon the results obtained and opening perspectives towards the future.