The Poem "Christus patiens" and the Poiesis of Greek Cento Poetry

该项目将是第一个探索希腊cento-poetry的出现，发展和接受，以及其从写作风格发展为文学形式的过程中的不同功能。我们将集中在cento戏剧的死亡和复活的基督，这已被称为“基督病人”，因为editio princeps（1542）。这段文字可以追溯到罗马帝国晚期或拜占庭帝国时期，因为它的诗意而脱颖而出，这是希腊centos的特点。不同于拉丁cento-poems，其中，以下所谓的“规则Ausonius”，使用现有的诗歌材料，以创造新的内容，“基督病人”使用的组成方法的戏仿，只要它改变引用和借用短语从其他诗人，混合他们与自己的诗歌。这种诗意的方法强化了读者对意义产生的参与，提出了关于这部作品诗歌的具体预期效果的问题，并为元构化开辟了一个竞技场，揭示了它自己的杂合诗学。这一诗学理论在古代体裁理论中的地位及其在文学创作中的接受作用有待进一步探讨。该项目建议将提供第一个全面的评论“基督病人”，并将审查其影响，后来中世纪的激情和复活发挥以及耶稣会戏剧。希腊Centos的开放式在线版本构成了一种创新评论的适当工具，使互文关系可见，为读者提供所有相关的互文，并揭示了文学传统和诗歌创新的创造性结合。

The project will be the first to explore the emergence, development, and reception of Greek cento-poetry as well as its different functions in the course of its progression from a style of writing into a literary form. We will focus on the cento-drama about the death and resurrection of Christ, which has been referred to as "Christus patiens" since the editio princeps (1542). This text, which dates from either the Late Roman or Byzantine Empire, stands out because of its poiesis, which is characteristic of Greek centos. Unlike Latin cento-poems, which, following the so called "Rule of Ausonius", use existing poetic material to create new content, the "Christus patiens" uses the compositional method of parody insofar as it alters citations and borrows phrases from other poets, mingling them with its own poetry. This poetic method intensifies the reader's involvement in the production of meaning, raises questions concerning the specific intended effects of the poetry of this work, and opens up an arena for metaisations, which reveals its own poetics of hybridity. This poetics will be further explored with regard to both its role in ancient genre theory its productive reception. The project proposed will provide the first comprehensive commentary of the "Christus patiens" and will examine its influence on later medieval Passion- and Resurrection Plays as well as on Jesuit Drama. The open-access online edition of the Greek Centos constitutes an appropriate tool for an innovative kind of commentary which makes intertextual relations visible, provides its readers with all relevant intertexts and reveals the creative combination of literary tradition and poetic innovation.