The Topos Night in the Music of the modern and postmodern era. Investigations on its continuities and discontinuities

本研究的目的是为音乐研究中的夜间话题做锚。第一次，将考虑更多的夜间作品，并将研究Topos Night对现代主义/后现代主义作品的影响。此外，其目的是超越孤立的个人考虑，并在夜间作品的概要中描述作品的本质，从而与夸张和超越语言的浪漫计划联系起来的工作假设在这里作为分析线索。分析的重点应该放在作曲家渗透到语言形式的其他维度以形成音乐内容的作曲策略上。此外，其目的是展示现代主义/后现代主义音乐如何与浪漫主义时代（以及上文所述）建立的思想和观念的复合体联系起来，为它们提供新的音乐解释并更新它们。因此，本研究的目的是描述Topos之夜在现代/后现代音乐中的话语连续性和不连续性，并回答为什么音乐作为所有艺术中最具概念性的艺术，从Topos之夜的挪用中受益。

The purpose of the study is to anchor the topos of the night in music research. For the first time, a larger selection of night compositions will be taken into consideration and the influence of the Topos Night on the works of Modernism / Postmodernism will be examined. Furthermore, the aim is to go beyond isolated individual considerations and to describe the essence of the works in the synopsis of the compositions of the night, whereby the working hypothesis of linking to the romantic program of exaggeration and transcendence of language is to serve as an analytical clue here. The focus of the analyzes should be on the compositional strategies with which composers penetrate into other dimensions of linguistic form in order to formulate musical content. In addition, the aim is to show how the music of modernism / postmodernism connects with the complexes of ideas and ideas established in the Romantic era (and outlined above), provides them with new musical interpretations and updates them for the present. The aim of the study is thus to describe the discursive continuities and discontinuities of the Topos Night in Modern / Postmodern Music and to give an answer to the question why music, as the most conceptual of all arts, benefits from the appropriation of the Topos Night.