The representation of orient in the fifteenth-and sixteenth-century venetian paintings

通过对这些作品的调查，可以清楚地看到，15世纪和16世纪威尼斯艺术的东方表现几乎有两条路线：外邦人贝利尼（Gentile Bellini）的1479年在君士坦丁堡的经历是在他的家庭工作室中继承的，其他的则是受到当时的手稿和制图（不涉及外邦人的纪念品）的启发。此外，东方的表征也反映了客户所处的政治、经济和社会状况。威尼斯贵族。揭示了这不仅仅是情境的反映，也是复杂的虚构表象。

Through the investigation of the works, it becomes clear that the representations of orient of 15th and 16th century venetian art have almost two routes : Gentile Bellini's the experiences staying Constantinople of 1479, were inherited in his family's workshop, and the others were inspired by such as manuscripts and cartography (not involving Gentile's souvenirs)of the time. In addition, the representation of orient have been in response to the situation of the politics, economics and society in which are embeded the clients. venetian nobles. It is revealed that isn' t mere the reflection of the situations but also the complicated fictional representations.