Research on the Drawing Books for Craft and Design in Meiji and Taisho Period

19世纪末20世纪初的设计选集研究：指纹式设计的同化及其意义2001财年，也就是三年项目的最后一年，我们对1999财年和2000财年的研究成果进行了整理。具体地说，我们整合了9个研究机构审查的大约1,600本现代日本设计选集的书目数据，并使用数码相机从719个收藏中收集了图像。研究机构的选集数量如下：1)东京艺术音乐大学图书馆(约550卷，175卷的图像)；2)Unsod6(约630卷，图片来自136卷)；3)千叶大学图书馆(约300卷，图片来自300卷)；4)京都工业大学图书馆(约50卷，来自22卷的图像)；5)泽东市(约10卷，图片来自10卷)；6)绪方家族(约10卷，图片来自10卷)；7)东京…研究与信息中心更多国家博物馆(约25卷，图片来自25卷)；8)大英图书馆，伦敦(约20卷，来自11卷的图像)；9)塞夫雷斯国家陶瓷厂(约在这些资料的基础上，研究人员和研究合作者分别对日本现代设计选集进行了分析和研究。即将发表的报告的作者和标题如下：Hida Toyota yiro，《作为消失的前现代形式的安魂曲的手工艺设计》；Iwakiri Shin‘Ichiro，《从19世纪后期艺术出版的角度看设计选集：以Unsodo为中心》；Matsubara Ryuichi和Higa Akiko，《关于京都设计师和工匠之间的关系》；Yokomizo Hiroko，《东京国立博物馆和东京美术大学收藏的19世纪末西方设计选集》；Okuma Toshiyuki，“消费的帝国主义世界观：现代日本对亚洲、欧洲和美国刻板印象的感官接受，催生了兼收并蓄的设计”；Kitamura Hitomi，“Sevres国家陶瓷厂接受Numata Ichiga的陶瓷雕塑”；MORI Hitoshi，“艺术学校收藏的设计选集：(东京美术学院、东京高等理工学院和京都高等理工学院)；以及Tsuhida Maki，”十九世纪后期设计选集和新艺术运动“。较少

Research on Design Anthologies during the Late Nineteenth and Early Twenty Centuries: Assimilation of Fin-de-Siecle Designs and Its Implications.In fiscal 2001, the last year of the three-year project, we put in order the research results of fiscal 1999 and 2000. Specifically, we consolidated bibliographical data of approximately 1,600 modern Japanese design anthologies examined at nine research institutions, and gathered images from 719 collections using digital cameras. Numbers of anthologies by research institutions follow :1) Library, Tokyo University of Fine Arts and Music (approx. 550 vols., images from 175 vols.) ; 2) Unsod6 (approx. 630 vols., images from 136 vols.) ; 3) Library, Chiba University (approx. 300 vols., images from 300 vols.) ; 4) Library, Kyoto Institute of Technology (approx. 50 vols., images from 22 vols.) ; 5) Seto city (approx. 10 vols., images from 10 vols.) ; 6) Ogata family (approx. 10 vols., images from 10 vols.) ; 7) Research and Information Center, Tokyo … More National Museum (approx. 25 vols., images from 25 vols.) ; 8) British Library, London (approx. 20 vols., images from 11 vols.) ; and 9) National Ceramics Factory, Sevres (approx. 5 vols., images from 1 vol.).Based on these materials, the researchers and research collaborators made respective analyses and researches on modern Japanese design anthologies. Authors and titles of the forthcoming reports will be as follows : HIDA Toyojiro, "Craft designs as the requiem for disappearing premodern forms" ; IWAKIRI Shin' ichiro, "Design anthologies from the perspective of late-nineteenth-century art publishing : Centering on Unsodo" ; MATSUBARA Ryuichi and HIGA Akiko, "On the relationship between designers and craftspeople in Kyoto" ; YOKOMIZO Hiroko, "The late-nineteen-century Western design anthologies in the collections of the Tokyo National Museum and the Tokyo University of Fine Arts and Music" ; OKUMA Toshiyuki, "Imperialistic view of the world to be consumed : Sensuous reception of Asian, European, and American stereotyped images in modern Japan that gave birth to eclectic designs" ; KITAMURA Hitomi, "Reception of NUMATA Ichiga's ceramic sculpture at the National Ceramics Factory, Sevres" ; MORI Hitoshi, "Design anthologies in art school collections : ( Tokyo School of Fine Arts, Tokyo Higher Polytechnic School, and Kyoto Higher Polytechnic School" ; and TSUCHIDA Maki, "Late-nineteenth-century design anthologies and Art Nouveau." Less