Comparative Studies on the Representations of Body in Japanese and Chinese Films

2006年8月(北京)的《战争与东亚文学的记忆》大会上的《春江东流》；2006年10月(日本札幌市)的日本汉学会大会上的《伤身革命：聚焦双胞胎姐妹》和《南海长城》。我们的国内外合作调查人员在会上做了四次陈述。他们是偏离的身体和历史性：关注斋藤真子和高明秀子的头饰，Anni的《动员的身体：二战日本电影中的身体政治》，创伤记忆和女性身体的表现：关于潘若健的一些中国电影，以及Kurosawa Akira的川崎Kouhei.c的《Kairo》，推动研究项目和收集研究结果。通过对Mikiro Naruse、张彻等作家的研究，以及对情节剧、武侠片、宣传片等电影类型的研究日本和中国电影中的身体表现问题，以及电影中的身体问题，已经从历史和理论上进行了考察和分析。尤其是我们对电影物质性的电影本体的审视，以及对电影中受虐狂模式的分析，对20世纪70年代以后的电影理论做出了修正的尝试。

a, making presentations at congresses domestic and abroadHead investigator Ying presented War, Melodrama, and the Representations of Women: a Reconsideration of 'Spring River Flows East' at the conference The War and the Memories in East Asian Literature August 2006(Beijing), and Melodrama, Wounded Bodies, Revolution: Focusing on 'Twin Sisters' and 'Nanhai Changcheng' at the Congress of the Sinological Society of Japan October 2006(Sapporo, Japan).b, Holding conference for the research projectWe held a conference titled Trans-border Bodies: Japanese and Chinese Movies in March 2006 at Hokkaido University, at which four presentations were made by our cooperating investigators domestic and abroad.They were Deviating Bodies and the Historicality: Focusing upon tiara Setuko and Takamine Hideko by Saito Aya, Mobilized Bodies: the Body Politics in Japanese Cinema in World War II by Anni, Traumatic Memories and the Representations of Women's Body: on Some Current Chinese Movies by Pan Ruojian, and Ghost/Body: Kurosawa Akira's 'Kairo' by Kawasaki Kouhei.c, promoting the research project and collecting the research resultsBy our studying on Mikiro Naruse, Zhang Che and other authors, and also on film genres such as melodrama, martial arts film, propaganda movie and so on, the problem of the representations of bodies, and that of the cinematic body in Japanese and Chinese films have been historically and theoretically examined and analyzed. Especially our examination into the cinematic body focused on the materiality of cinema, and our analysis of masochistic model in cinema, have made a try to revise the film theory after 1970s.