What are the functions of duration, frequency and amplitude, when the Japanese natives perceive the number of morae of long vowels?

我们从实验语音学的角度分析了2004年部分熊本方言使用者的日常会话。我们研究了连接助词“te”、“tekara”、“ken”、“kenga”和最后的助词“ne”。他们经常把“te”的音发成降调，因为[te e]给谈话带来了生动的节奏。有的把降音放在“tekara”从句前，轻声发，有的把“tekara”结尾的话语发高声调，“tekara”后放快降音。“我们发现‘ken’的发音有三种：低音、音节中的降调为[ke n]、音节后的降调为[ken]。他们有时把以“kenga”结尾的从句发成连续的低音，然后是一个升调和一个降调，作为-ken ga a，给谈话带来一些生动的节奏。“呢”字声调的特点是：前字声调高，后字声调低， ...更多信息 在急速下降后发出低沉的音调。该语气特征与引号“te”相同，是熊本方言的特征之一。我们将研究这些助词的语气变化的含义和用法。标准日语使用者和熊本方言使用者在表达两个连续动作的情况下都使用“te”和“tekara”。熊本方言中的“tekara”有两种用法：“tekara”位于话语的最后位置，表示对听者的批评;“ndekara”位于话语的中间位置，表示消极的伴随情况。而标准日语中没有这两种用法。我们发现了“ken”和“kenga”的区别。如果听者不知道你会来找他/她，你应该说“iku ken ne”;如果听者明确知道你会来找他/她，或者你想提醒他/她你会来，你应该说“iku kenga ne”。少

We analyzed the everyday conversations of some Kumamoto dialect speakers in 2004 from the point of view of experimental phonetics. We researched the conjunctive particles ; "te," "tekara," "ken," "kenga" and the final particle "ne."They often pronounce "te" prolonged with falling tone as [te〓e] giving some vivid rhythm to the conversation. Some put downsteps before the clauses with "tekara" and pronounce the clauses with low tones, and some pronounce the utterances finished with "tekara" with high tones and put rapid falling right after the "tekara." We found three types to pronounce "ken": with low tone, with a falling tone in the syllable as [ke〓n] and with a falling tone right after the syllable as [ken〓]. They sometimes pronounce the clause finished with "kenga" with a continuously low tone followed a rising tone and a falling tone as -ken 〓ga〓 a, giving some vivid rhythm to the conversations. The characteristic tone of "ne" is that the forward words' tone keeps high and the "ne" g … More ets a low tone after a rapid falling. This tonal character is common with the quotative "te" and is one of the characteristic features of Kumamoto dialect.We are going to research the meanings and usages of these tonal variations of the particles.Both of the Standard Japanese speakers and the Kumamoto dialect speakers use "te" and "tekara" in the case of expressing the two continuous actions. Kumamoto dialect has the two usages of "tekara": "tekara" in the final postion of an utterance with the criticism to the listener and "ndekara" in the middle of an utterance with the meaning of negative attendant circumstances. And the Standard Japanese does not have these two usages.We found a difference between "ken" and "kenga". You should say "iku ken ne," in the case that the listener does not know that you will come to him / her, and you should say "iku kenga ne," in the case that the listener knows explicitly that you will come to him / her or in the case you would like to remind him / her of your coming. Less