Melancholy of Resistance. The History of Performance Art in the Real Socialist Countries of Europe

《我的困惑》使东欧行为艺术的文献变得触手可及，其中一些文献尚未出版，或者将首次以捆绑和语境化的形式出版。虽然行为艺术在过去二十年的展览实践和艺术史学中发挥了重要作用，但相关展览缺乏对前“东方集团”艺术场景的看法，这种艺术形式的西方影响（但全球理解）的学术经典也忽视了东欧和东南欧行为艺术家的作品。在这种背景下，该专题论文的目的一方面是使部分仍然“未被触及”的图像和文本材料的审查表演可见的第一次，从而提供了一个深入了解许多显着的，但迄今为止未知的欧洲新先锋派（1960年代至1980年代）的艺术立场。另一方面，这些迄今被研究者忽视的作品被置于艺术和文化史的语境中，并从政治和颠覆的角度进行分析和评论。

My habilitation makes documents of Eastern European performance art accessible, some of which are unpublished or is going to be published for the first time in a bundled and contextualized form. Although performance art has played an important role in exhibition practice and art historiography over the last two decades, the relevant exhibitions have lacked a view of the artistic scenes of the former 'Eastern Bloc', and the Western-influenced (but globally understood) scholarly canon of this art form has also ignored the work of Eastern and Southeastern European performance artists. Against this background, the monograph aims on the one hand to make partially still 'untouched' image and text material of censored performances visible for the first time, thus providing an insight into numerous remarkable but hitherto unknown artistic positions of the European neo-avant-garde (1960s-1980s). On the other hand, these works, which have so far been neglected by researchers, are contextualized in terms of art and cultural history and analyzed and commented on in terms of their political and subversive dimensions.