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William Lovell digital

William Lovell digital
威廉·洛弗尔数字
批准号:
522592161
负责人:
Professor Dr. Maximilian Bergengruen
金额:
$0.0万
依托单位国家:
德国
项目类别:
Research Grants
财政年份:
--
资助国家:
德国
项目状态:
未结题
起止时间:
关键词:

项目摘要

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中文摘要
翻译
路德维希·蒂克的书信体小说《威廉·洛维尔》的电子版正在申请,它将平等地呈现三个授权版本的文本--即不优先显示第一版或最后一版--并使从第一版到第二版和第三版的修订版可见;单独和以校对的版本。这三个或四个版本的演示文稿辅之以评论、索引和搜索功能;每个版本都与所有三个版本相关。该项目的初步工作表明,不同版本之间的变化是多么深远和实质性。在此申请的版本项目应该能够在这些修改的基础上重建蒂克自己工作中的剧变,这是对他所从事的时代变化的反映。第一个可行的假设如下:《爱情》作为早期浪漫主义文本出现,与启蒙运动晚期进行了批判性的接触。当蒂克将自己重新定位为一种更现实的表现模式时,它第一次被修订。在这个过程中,正如最初的样本所显示的那样,情节变得不那么离题,无数的字母被缩短,神秘和模棱两可的事情被消除。当Tieck进入他的晚期阶段时,Lovell又被改变了一段时间,在这个阶段,作为他早期现实主义雄心的延伸,他重新提出了早期的浪漫主义拓朴,但对它们进行了讽刺的审视。如果这一趋势能够被版本稳定下来,就可以表明,前述早期浪漫主义元素的讽刺恢复与更正中的重读直接相关。
英文摘要
A digital edition of Ludwig Tieck's epistolary novel William Lovell is applied for, which will present the texts of the three authorized editions equally - i.e. without prioritizing a first or last hand edition - and make the revisions from the editio princeps to the second and third edition visible; individually and in a collated version. This three- or fourfold presentation is supplemented by a commentary, an index, and a search function; each relating to all three versions. The preliminary work for the project has shown how far-reaching and substantial the changes between the different versions are. The edition project applied for here should make it possible to reconstruct the upheavals in Tieck's own work on the basis of these revisions, and this as reflections on the epochal changes in which he works. A first working hypothesis is as follows: The Lovell emerges as an early Romantic text in critical engagement with the late Enlightenment. It is revised for the first time when Tieck reorients himself towards a more realistic mode of representation. In this course, as first samples have shown, the plot becomes less digressive, numerous letters are shortened, mysteries and ambiguities are eliminated. Lovell is altered a further time when Tieck enters his late phase, in which - as an extension of his early realist ambitions - he re-raises early Romantic topoi but subjects them to ironic scrutiny. If this tendency could be stabilized by the edition, it could be shown that the aforementioned ironic resumption of early Romantic elements is directly related to the rereading in the correction.
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