Reformulating museological narrative using three models of cinematic interactivity

这项研究旨在通过应用身临其境的电影可视化系统，模拟三种互动叙事的整合，显著增强博物馆信息传递的呈现灵活性。通过为展示的物品和虚拟环境中的观众分配选择性代理，该系统允许博物馆参观者甚至投资具有一系列生动叙事目的的静态文物。通过在悉尼Powerhouse博物馆的一个大型装饰艺术展览中安装，该应用程序测试了模型中预示的叙事主体的语义范围、博物馆学完整性和交互自主性。

This study aims to dramatically enhance the presentational flexibility of museum information delivery through the application of an immersive system of cinematic visualisation, modelling the integration of three kinds of interactive narrative. By allocating selective agency to both objects displayed and to viewers within a virtual environment, the system allows museum visitors to invest even static artefacts with a range of vivid narrative purpose. Through its installation within a major exhibition of the decorative arts at the Powerhouse Museum, Sydney, the application tests the semantic scope, museological integrity, and the interactive autonomy of the narrative agents foreshadowed in the model.