THE ASPECTS OF KALAVINKA AS A MOTIF IN AMITABHA'S PURE LAND-THE IMAGE OF THE FIGURE-HEADED BIRD AND THE WINGED FIGURE IN THE EAST AND ITS CHINESE ACCEPTANCE-

1.《卡文卡·卡特苏基形象》涉及《中国》中的艺术、设计和建筑，并研究了卡文卡、吉瓦吉瓦和伽鲁达的肖像学。他研究了福建泉州开元寺支架上的阿萨拉和卡拉文卡的图像。他论述了唐代以前《中国》中的吉娃思想及其形成过程。他研究了加鲁达人的肖像及其在古代库恰语中的分类。最后，对于《花头鸟》和《有翼的花鸟》，总结了卡拉文卡的研究现状和未来的展望。卡拉文卡的乐器演奏和宫廷舞蹈与音乐《卡约宾》东口研究唐代乐器，研究中国石窟寺庙的壁画。并以宫廷舞曲《卡约宾》为重点，对其音乐风格进行了探讨。宫廷舞蹈与音乐3.与卡拉文卡·哈托里相关的图像设计研究了甘达拉带有天堂和宴会的调色板，带有飞天的瓷砖，以及亚述-乌尔雅风格的皇帝的带翼野兽的椅子。他清除了西亚和印度的有翼人物和野兽的形象。

1. The Image of KalavinkaKATSUKI deals with art, design and architecture in China and studies the iconography of Kalavinka, Jivajiva and Garuda. He studies the iconography of the Apsaras and Kalavinka of the bracket in the Kaiyuansi Temple, Quanzhou, Fujian. He deals with the idea of Jivajiva and formation process in China before the Tang dynasty. He studies the iconography of the Garuda and its classification in ancient Kutcha. Finally, regarding "the figure-headed bird" and "the winged figure", summarizes the study of Kalavinka and its future prospects.2. Kalavinka Playing the Musical Instruments and Performing, and the Court Dance and Music "Karyobin"HIGUCHI studies the musical instruments in Tang dynasty dealing with the mural paintings of the cave temples in China. And he focuses on the Court Dance and Music "Karyobin", and discusses its music style. the Court Dance and Music3. The Design with Images related to KalavinkaHATTORI studies the palettes with the paradise and the banquet and the tiles with the Apsaras in Ghandhara, and the emperor's chair with the winged beast in the Assyro-Urartian style. He clears the images of the winged figure and beast in the West Asia and India.