The historical study about the visual image of outfitting painted on the Middle Ages picture of Japan

我用真实的衣服来研究这种差异，并从艺术史的角度来画衣服。通过这项研究，很明显，画n的内容并不总是等同于对古代习俗和用法的了解。此外，据我了解，死者留下的许多图片和文章与今天公认的古代习俗和用法的常识不同。到目前为止，他们认为文件是古代习俗和用法领域中最重要的东西，但它必须被视为最重要的课题，即服装中的一种真正的规则实际上是如何变化的。另一方面，在背部画一条皱纹的误差突然增加，即使背部没有刺绣到卡里吉努和水壶等。此外，影视历史逼真性研究也存在诸多误区，它与日本中世纪图景形象这一课题密切相关，具有重要的现实意义。

Istudied the difference with real clothes and drawn clothes from a view point of art history. Through this study, it became clear that draw n contents were not always equal to knowledge of ancient practices and usages. In addition, I understood that there were many pictures and articles left by the deceased which were different from common sense of recognized ancient practices and usages in today. So far, they thought that documents were the most important thing in the field of ancient practices and usages, but it must be regarded as the most important subject how a realrule in clothes changed actually. On the other hand, the error that a line of tuck on the back was drawn in creased in suddenly, even if there is not back embroidery to kariginu and suikan and so on. Furthermore, there are a great many errors of historical verisimilitude researches on movies and television and it is related with a topic of a sight image of the Middle Ages picture of Japan closely, and the subject will be important in future.