"Circulante y actuante: Female Authorship and Transnationality in the Ibero-American Area (1910-1940)

在20世纪的头几十年里，西班牙和拉丁美洲的女作家获得了新的经验领域和职业化的选择。在一个以男性为中心的文学场域中，作者以各种方式利用审美现代主义的出现，将女性的状况融入文学话语，从而质疑现代主义和先锋派的传统记录。这种现代性的经历与大陆和大西洋两岸的高度流动性密切相关，因此，作者之间的密集跨国接触与其直接环境中的排斥和霸权动态之间似乎存在因果关系。因此，该项目旨在开辟伊比利亚-美洲女作家文学实践的视角，超越以男性为中心和以欧洲为中心的霸权。在新现代主义研究的背景下，在所研究的时期出现的跨国关系和文学生产的清单有助于修订的经典：作者的定位被视为一个过程，其特征是社会，种族，性别和意识形态的成分，这成为一个反霸权的女性现代性的跨文化经验可见。其目的是建立一个伊比利亚-美洲文学领域，超越现有关系的跟踪，应该导致文学作品的主题和正式的对应关系和互文参考分析。女性作者身份被理解为一种依赖于社会文化因素的结构，从而破坏了传统上男性对作者身份的编码。该语料库包括伊比利亚-美洲现代主义的经典代表和迄今为止很少受到关注的作家。鉴于伊比利亚-美洲地区的地理范围，确定了两种情况：（1）南科诺和安第斯地区的一批伊比利亚-美洲女作家;（2）在马德里女子学校俱乐部及其“西班牙美洲分会”周围的伊比利亚-美洲跨国性。作为该项目的一部分，创建两组数据（1。关于作品和版本的参考书目，2。关于作者的个人资料）和一个国际讲习班。

In the first decades of the 20th century, women writers in Spain and Latin America obtained new areas of experience and options for professionalization. In an androcentric literary field, the authors use the emergence of aesthetic modernism in a variety of ways to integrate the condition féminine into literary discourse, thereby questioning conventional registers of Modernismo and the avant-gardes. This experience of modernity goes hand in hand with a high degree of continental and transatlantic mobility, whereby there seems to be a causal connection between the intensive transnational contacts among the authors and the dynamics of exclusion and hegemony in their immediate environment. The project therefore aims to open up perspectives on the literary practice of Ibero-American women writers that go beyond androcentric and eurocentric hegemonies. In the context of New Modernist Studies, the inventory of both the transnational relationships and the literary production that emerged during the period under study contributes to the revision of the canon: the positioning of the authors is conceived as a process characterized by social, ethnic, sexual and ideological components, which becomes visible as a transcultural experience of a contra-hegemonic female modernity. The aim is to construct an Ibero-American literary field that, going beyond the tracing of existing relationships, should lead to an analysis of literary productions with regard to thematic and formal correspondences and intertextual references. Female authorship is understood as a construction that is dependent on sociocultural factors and thus undermines the traditionally male coding of authorship. The corpus includes both canonized representatives of Ibero-American modernism and authors who have so far received little attention. Given the geographic scope of the Ibero-American region, two scenarios have been identified: 1) a group of Ibero-American women writers in Cono Sur and the Andean region, and 2) Ibero-American transnationality around the Madrid Lyceum Club Femenino and its "Sección Hispanoamericana". As part of the project, the creation of two sets of data (1. bibliography on works and editions, 2. personal data on the writers) and an international workshop are planned.