Michio Ito's Encounter with Japonism: East-West Joint Productions of 1915/1918

正是在伦敦与日本主义的相遇，使伊藤道夫得以在1916年4月叶芝的《在鹰的井上》的第一场演出中扮演主要角色。虽然伊藤在1915年5月出现在Colescum剧院，但他与霍尔斯特交上了朋友，霍尔斯特用伊藤给出的日语旋律创作了《日本组曲》。但这并不是一部合拍片。霍尔斯特似乎没有让伊顿知道他的作文。相反，伊藤有机会与庞德的艺术家圈合作制作。叶芝，伊克尔斯，杜拉克和科本。他们对日本的无游戏感兴趣，并在1915/1916年给了伊藤一些机会，让他们用自己设计的乌阿帕尼斯服装跳舞。就这样，日本舞蹈成为伊藤在整个1910年代的主要剧目，S。我们并不确切地知道伊藤的日本舞蹈所使用的音乐。狐狸之舞的原创音乐被认为与霍尔斯特的《日本组曲》的大结局相似。1917年后，伊藤更喜欢使用日本旋律，在纽约也是如此。1918年，《鹰之井》在纽约演出，因为美国人也对日本的《不玩》感兴趣，山田为这场演出谱写了新音乐。虽然山田的音乐仍然以钢琴版本存在，但他的音乐实际上是如何在美国演奏的还不清楚。伊藤还演出了田村和其他一些英文版的No-和Kyogen-剧。应该清楚的是，这些作品中的音乐是如何表现的，以及为什么在1920年代中期，S的剧目中没有/基根元素突然减少。

It was an encounter with Japonism in London that enabled Michio Ito to play the main part in the first performance of At the Hawk's Well by Yeats in April 1916. Although his appearances at Colescum Theatrc in May 1915 Ito got nequainted with Holst who composed Japanese Suite using Japanese melodies given by Ito. But it was not a co-production. It sems that Holst did not let Ito know about his composition. On the contrary, Ito had a chance of co-production with the artist-circle of Pound. Yeats, ickells, Dulac and Coburn. They were interested in Japanese No-play and gave Ito some opportunities in 1915/1916 to dance using Uapanese costumes they designed. In this way, the Japanese dances became Ito's main repertory throughout the 1910's. We don't know precisely about the music used for Ito's Japanesedances. The original music for Fox dance is supposed to have been similar to the finale of Japanese Suite by Holst. Ito preferred to use Japanese melodies also in New York after 1917. At the Hawk's Well was performed in New York in 1918, because American people were also interested in Japanese No-play Koscak Yamada composed new music for this performance. Although Yamada's music is still existing in piano version, it is not clear how his music was actually performed in America. Ito performed Tamura and some other No-and Kyogen-plays in English version, too. It should be made clear how music was performed in these productions and why No/Kyogen-elements because reduced in his repertory suddenly in the mid-1920's.