The Linguistic Sphere of Japan and East Asia in the General Magazine Taiyo

我们试图通过对《太阳神1》等与白居观有关的媒介的研究，把握麦尔基晚期至大正早期这一转折时期的文化发展动态。欧洲大陆一瞥通过研究韩国、马丘里和美国的相关话语，可以看出当代日本对其他国家的意识有多强。具体而言，通过对《未来日美战争的叙事》、佐佐木的作品、首尔日本镇的游玩活动以及日俄战争相册的研究，可以揭示韩朝日美战争的话语和理论。适应与发展当代日本大众传媒的明显趋势是从西方改编到本土文化和学术领域。这些改编不仅被解释为适合当代日本的情况，而且还得到了独特的发展。文化中的“文学”文学作品是从当代意识和意识形态中培养出来的。同时代的杰作也处于同样的境地。这一部分将对第一、第二节所阐明的当代日本的自我表象以及对这种自我表象的批评进行阐释。上述结果浓缩在从明治到大正、大众传媒和文学的选集中。此外，一个月两次的讲习班和与筑波大学以外的学者的研讨会(2002年1月15日)也专门讨论这一项目。

We are trying to grasp the dynamics of the cultural development within the turning point of time from late Melji period to early Taisho period by researching and studying the media related with HakubunKan, such as Taiyo.1. The glimpse to the ContinentThrough studying the discourses related in Korea, Machuria and America, in Taiyo, how conscious the contemporary Japan was to the other countries can be shed light on. Concretely, by studying the "narratives of Japanese-American war in the future", Soseki's works, the activities of play in Japanese town located in Seoul and the photograph album of Japanese-Russian war can cast light on the Korean discourse and theory of the Japanese-American war.2. The adaption and the developmentThe obvious tendency in the mass media of the contemporary Japan was to adapt from the West to do domestik culture and academy fields. These adaptations were not only interpreted to fit into the contemporary Japanese circumstance, but also developed uniquely.3. The "literature" within the cultureThe literary works were cultivated from the contemporary consciousness and the ideology. The contemporary masterpieces were also under the same situation. This section will cast light on the self-representation of the contemporary Japan which has been clarified in section 1 and section 2 and the criticism to this self-representation.The above-giver result condensed to the anthology, From Meiji to Taisho, the Mass Media and Literature. Otherwise, the workshops twice in a month and the symposium with the scholars outside of University of Tsukuba (2002, 1, 15) also dedicated to this project.