Faulkner and His Contemporary Writers and Film producers

在这个项目中，我试图调查威廉·福尔肯与其他作家和电影制片人之间可能存在的联系，比如盖伊·恩多尔。Alejo Carpentier和Sergei Eisenstein，他们在20世纪30年代和40年代积极出版和制作;特别是，我研究了福克纳的打字稿写作和Guy Endore作品之间的密切关系。恩多尔专门研究欧洲历史和语言，他1933年的畅销书《巴黎的狼人》关注法国的历史事件，他还出版了《巴布克》，以回应美国海军陆战队从海地撤军和1929年的大屠杀。为了弄清楚恩多对福克纳的影响，我研究了威廉·福克纳未发表的打字稿，《大地的反抗》和《可怕的山谷》，这两本书大概写于20世纪40年代。(Both未经允许，不得引用这些打字稿。

In this project, I tried to investigate the possible connections between William Fsulkenr and other writers and film producers, such as Guy Endore., Alejo Carpentier and Sergei Eisenstein, who were actively publishing and producing in this 1930s and 1940s; especially, I looked into the close relationship between Faulkner's typescript writing and Guy Endore's works. Endore specialized in European history and language, and his 1933 best-seller, The Werewolf In Paris, focuses on the historical event in France, He also published Babouk in response to the American Marines withdrawal from Haiti and the massacre in 1929. In order to clarify the influence from Endore on Faulkner, I did research into William Faulkner's unpublished typescripts, "Revolt in the Earth" and "Dreadful Hollow," which were written, presumably, in the 1940s. (Both of these typescripts are not allowed to quote without permission.)