Study on linkage structure of dynasty power and local community from the Tang metaphase to Southern Song stage which made the record of temple to be main historical materials.

在我的研究中，我注意到了寺庙，它象征着中国独特的形而上学文化。我研究了关于这些寺庙的各种记录和事件，以及宋代特有的慈娥和慈号习俗。本文试图揭示唐至南宋时期中央政府与地方社会之间行政动态的变迁过程。特别是对徽宗至南宋时期经常出现的一些庙志进行了详细的分析，并对这些庙志的创作过程进行了探讨。在此基础上，以祠庙制度的变迁为线索，将中唐至南宋的社会结构变迁分为三个时期（中唐至庆历、熙宁时期→庆历、熙宁至郑和、宣和时期→郑和、宣和至南宋后期）。北方宋后期，尤其是徽宗宣和年间，当地民众纷纷修建慈庙，宋朝廷积极谋求对三教的改革。通过这次检查，我发现当时建立了一个依赖于神圣表现的控制系统，当地的社会结构经历了一个逐渐的变化。当我考察宋代社会结构特征的变化时，我指的是上述三个不同时期的分类。当我们可以在这个框架内理解宋代时，我们感到有必要重新考虑唐宋过渡，其中最重要的特征是从贵族政府过渡到君主专制。

In my research, I have paid attention to temples (hereafter cimiao), which symbolize the unique metaphysical culture of China. I studied various records and episodes about these temples, as well as the customs of cie and cihao that are unique to the Song period. In doing so, I tried to reveal the transitional process in the administrative dynamics between the central government and local society from the Tang to the Southern Song. Especially, I made a detailed analysis of some temple records that were often made from the Huizong era to Southern Song times, and cast light on how these episodes were created. I also revealed the structure of local society.As the result, I divided the changes in social structures from mid-Tang to Southern Song into three periods (From the mid-Tang to the Qingli and Xining periods→From the Qingli and Xining to the Zhenghe and Xuanhe eras→From the Zhenghe and Xuznhe periods to the late Southern Song), based on the transition in the cimiao system. In the Late Northern Song, especially during the Xuanhe era of Huizong, cimiao were being built one after another by the local people while the Song court was actively looking to reform the three religions. Through this examination, I revealed that a system of control that was dependent on the divine manifestations was established at that time, and local social structures underwent a gradual change. When I examine the changes in the characteristics of social structures during the Song, I refer to the categorization into three distinctive periods shown above. When the Song can be understood within that framework, we feel the need for reconsidering the Tang-Song transition, the most important characteristic of which was the transition from aristocratic government to absolute monarchy.