课题基金 / 基金详情

Comparison of culture and aesthetic sense on dyeing of stencil between Okinawa and Mainland of Japan, with special reference to BIN-GATA, ISE-GATA and AIZU-GATA

Comparison of culture and aesthetic sense on dyeing of stencil between Okinawa and Mainland of Japan, with special reference to BIN-GATA, ISE-GATA and AIZU-GATA
冲绳与日本本土的模板染色文化与审美比较,特别参考BIN-GATA、ISE-GATA和AIZU-GATA
批准号:
17500509
负责人:
FUJIE Tomiko
金额:
$1.69万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (C)
财政年份:
2005
资助国家:
日本
项目状态:
已结题
起止时间:
2005 至 2007

项目摘要

项目成果

相关文献

中文摘要
翻译
1)BIN-GATA有白色和彩色区域两种雕刻,而AIZU-GATA和ISE-GATA有白色或彩色区域一种雕刻。2)BIN-GATA和ISE-GATA有两种不同的细丝线张力技术。带有丝挂(一种细丝线张力)的BIN-GATA技术保留在冲绳岛,带有丝挂的ISE-GATA技术保留在冲绳。三重县有“Itoire”(一种不同的细丝线张力)。3)BIN-GATA的人物是由一个染色的人使用一个小正方形的Rukujyu的立场,这是由干燥和加工冲绳豆腐(豆腐)。4)ISE-GATA是由雕刻人物和染料模板的工人生产的,其中一些人在技术上如此出色,他们成为活国宝。BIN-GATA是由自己做所有过程的工人生产的。5)在会津-GATA和ISE-GATA的模版染色通常具有单一的颜色。另一方面,在冲绳,主要有许多彩色染色与颜料,如Irosashi(彩色印刷),Irokubari(着色),熊通(暗渐变)和Nidozuri(二色印花),产生梦幻、自由、鲜艳的美感。6)风格的染色有两种方法;一种是通过染色,如BIN-GATA,另一种是通过染色,如ISE-GATA和AIZU-GATA。7)BIN-GATA是一种设计,ISE-GATA的设计创造了一种微妙的氛围,而会津-GATA的设计在技术上是杰出的。8)我曾带领一名研究生在冲绳教授BIN-GATA作为教材,并与我联名发表了有关日本蜡纸染色的论文。
英文摘要
1) BIN-GATA has two carvings with white and colored fields, while AIZU-GATA and ISE-GATA have one carving with white or colored field.2) There are two different technique of thin silk thread tension between BIN-GATA and ISE-GATA. Technique of BIN-GATA with Itokake (kind of thin silk thread tension) remains in Okinawa Island, and that of ISE-GATA with. Itoire (a different kind of thin silk thread tension) exists in Mie Prefecture.3) Figure of BIN-GATA is carved by a dyeing person who uses a stand of a small square Rukujyu which is produced by drying and processing of Tofu (bean curd) in Okinawa.4) ISE-GATA is produced by workmen who carve figure and dye stencil; some of them have technically so outstanding that they become living national treasure. BIN-GATA is produced by workmen who do all process by themselves.5) Dyeing of stencil in AIZU-GATA and ISE-GATA generally has a single color. On the other hand, that in Okinawa has mainly many colored dyeing with pigment, such as Irosashi (colored printing), Irokubari (coloration), Kumadori (dark gradation), and Nidozuri (twice colored printing), which produce aesthetic sense with fantasy, freedom, and brightness.6) Style of dyeing has two methods; one is by stain such as BIN-GATA, and the other is by dyeing such as ISE-GATA and AIZU-GATA.7) BIN-GATA is made a design, while design of ISE-GATA creates a delicate atmosphere and that of AIZU-GATA is technically outstanding.8) I have been leading a graduate student who taught BIN-GATA as teaching materials in Okinawa, and published some papers concerning dyeing of stencil in Japan under joint signature with me.
期刊论文(0)
专著(0)
科研奖励(0)
会议论文
沖縄と本土の型染めに関する文化と美意識についての比較研究-紅型, 伊勢型, 会津型-
冲绳与大陆的模版染色文化与美感的比较研究 - 红型、伊势型、会津型 -
DOI: --
发表时间: 2008
期刊: 琉球大学教育学部紀要 第73集(印刷中)
影响因子: --
作者: [富士栄登美子, 吉田ハルキ, 小林桂子, 島袋麻美]
通讯作者: 島袋麻美
沖縄と本土の型染めに関する文化と美意馳についての比較研究-紅型, 伊勢型, 会津型を中心に-
冲绳与大陆的模版染色文化与美学的比较研究 - 以红型、伊势型、会津型为中心 -
DOI: --
发表时间: 2008
期刊:
影响因子: --
作者: [富土栄登美子, 島袋麻美]
通讯作者: 島袋麻美
Comparison of culture and aesthetic sense on dyeing of stencil between Okinawa and Mainland of Japan in the cause of contribution toward further progress of BIN-GATA(traditional industrial art).
冲绳与日本本土的模板染色文化和审美意识比较,为BIN-GATA(传统工艺美术)的进一步发展做出贡献。
DOI: --
发表时间: 2007
期刊:
影响因子: --
作者: [FUJIE Tomiko, YOSHIDA Harui, KOBAYASHI Keiko]
通讯作者: KOBAYASHI Keiko
Comparison of culture and aesthetic sense on dyeing of s tencil between Okinawa and Mainland of Japan, with special reference to BIN-GATA, ISE-GATA, AIZU-GATA
冲绳与日本本土的网版染色文化与审美比较,特别参考BIN-GATA、ISE-GATA、AIZU-GATA
DOI: --
发表时间: 2008
期刊: Abstracts of research project, grant-in-aid for scientific research (C)
影响因子: --
作者: [FUJIE Tomiko, YOSHIDA Harui, KOBAYASHI Keiko]
通讯作者: KOBAYASHI Keiko
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