Research on the new composing method with Okinawan traditional music-instruments and its applicable method in Contemporary music

如果一个人试图用冲绳（琉球）传统乐器创作一种新的音乐，可能会有几个问题，这与西方音乐风格截然不同。一般来说，冲绳的传统音乐几乎都是以歌曲为中心的，冲绳的乐器，三弦琴（三弦鲁特琴），古筝（十三弦古筝），笛（竹笛），九弦（四弦弓）和Narimono（弦乐器），只是作为伴奏演奏。尤其是三心，Fue和Kucho几乎沿着歌曲部分进行了沿着。作为独奏乐器，它们基本上不是独立的。冲绳传统音乐家们通常直接通过口头模仿的方式向老师学习，并通常采用一种名为“Kunkunshi”的指法作为他们的乐谱系统。这些学习系统是他们无法用乐器创作新音乐的原因之一。近年来，尝试用自己的乐器创作新音乐的年轻传统音乐表演者不断增加，本研究旨在探讨如何用冲绳传统乐器创作音乐作品，并旨在发展当代音乐中新的音乐习惯，将冲绳传统音乐移植到当代音乐中。我已经能够阐明传统演奏方式与音乐内容之间关系的几个问题。我还尝试用冲绳传统音乐成语创作新的音乐作品。

If one would try to compose a new music with Okinawan (Ryukyuan) traditional musical instruments, there might be several problems that are far different phases from the western musical styles. In general almost the Okinawan traditional music are centered in the songs, and Okinawan musical instruments, Sanshin (three strings lute), Koto (thirteen strings zither), Fue (bamboo flute), Kucho (four strings with bow) and Narimono (percussions), merely play the roll as accompaniment. Especially Sanshin, Fue and Kucho almost performed flowing along the song-part. They are essentially not independent as solo musical instruments. Nevertheless that situation, we listen to attractive sounds from their traditional performance.Okinawan traditional musicians used to study through oral imitating manner from their teacher directly, and usually take a kind of tablature, Kunkunshi, as their musical notation system. These learning systems have been one of the cause unable them to create new music with their instruments. Recently several young traditional music performer who attempt to compose the new music with their instruments have been increased.This research is purposed on how to create the musical composition with Okinawan traditional instruments, and purposed on to develop the new musical idioms in the contemporary music transposing from Okinawan traditions. I have been able to elucidate several problems in the relation between traditional performing manner and musical substance. And I have tried to compose new musical works within Okinawa traditional musical idioms.