The standards-dissolving of the arts and their syntheticalization from the endofthe 19th to the beginning of the 20th cenhuy in the Gennan sphere

在过去的两年里，我们研究了19世纪末到20世纪初德语国家的文化艺术运动。以“艺术中的规范的诞生和它对世纪之交的综合”为题（19世纪末至20世纪初德国范围内艺术的标准消解及其综合化）“我们旨在从多学科的角度解释文化和艺术现代化进程，考虑美术、音乐、舞蹈、在2007年的最后一年里，研究项目的每一位成员都围绕自己的研究主题进行了全面而深入的研究：藤井田木研究了勋伯格的无调性体系，山口洋子研究了埃尔塞·拉斯克-舒尔登的诗学，西川友之研究了维也纳分离派，特别是它的第14次展览;古田香织研究了《青年》杂志的媒介性。我们的研究使我们得出了一些结论。例如，我们认为，19世纪末20世纪世纪初的文化艺术运动不仅解构了文化艺术的标准，而且还试图恢复艺术的光环或其作为产生新的文化艺术标准的母体的功能。我们认为，本研究项目的目的在很大程度上已经实现。然而，我们的研究引起了一些新的问题。例如，艺术家在“总体艺术”中究竟寻求什么，这些问题成为我们今后新的研究课题

During these last two years we have studied the culture-and-art movement which existed from the end of the 19th to the beginning of the 20th century in the German-speaking countries. Under the title 'Die Auflosung der Normen in der Kunst and ihre Synthetisierung zur Jahrhundertwende (The standards-dissolving of the arts and their syntheticalization from the end of the 19th to the beginning of the 20th century in the German sphere) " we aimed to explain the cultural and artistic modernization process from a multidisciplinary perspective, considering such topics as the fine arts, music, dance, literature and fashion.During the final year of this research project in 2007, each member of the project took aim of his or her own research theme fully and closely: Fujii Tagiru studied Schoenberg's atonality system Yamaguchi Yoko studied the Poetics of Else Lasker-Schuler; Nishikawa Tomoyuki studied the Vienna Secession, particularly its 14th exhibition; and Furuta Kaori studied the mediality of the journal Die Jugend. Our research led us to a number of conclusions. For example, we concluded that the culture-and-art movement at the end of the 19th and the beginning of the 20th century not only deconstructed the standards of culture and art, but also attempted to resuscitate the aura of art or its function as a matrix that produced new standards of culture and art.We believe that the purposes of this research project have largely been achieved. However, our research has given rise to a number of new questions. For example, what precisely was it that the artists sought for in the "Gesamtkunstwerk" (total work of art) - These questions have become our new research tasks for the future