The Formation of Composite Art Criticism in the Meiji Era

明治时期的艺术，尤其是欧洲的音乐，与传统艺术和国乐处于对立的关系。通过对报纸音乐评论形成过程的研究，这一结论变得清晰起来。福田源一郎在《东京日新闻》上的乐评主张明治启蒙时期的音乐改革，但在明治30年代转变为技术批评。进一步证明音乐技术批评的雏形是明治20年代的戏剧批评，并在明治31年（1898）的《读卖新闻》上确立。

In Meiji Era, Arts, especially music from Europe got along with traditional arts and Kokugaku, being in the opposition to them. This conclusion became clear with this research on the process of formation of music criticism in newspapers. Fukuchi Genichiro's music criticism in Tokyo-Nichinichi-Shinbun had insisted reform of music for Meiji enlightenment, but changed into technical criticism in Meiji 30.Furthermore this research is to certify that the prototype of music technical criticism was drama criticism in Meiji 20s, and it was established on Yomiuri-Shinbun in Meiji 31(1898).