Similaritys of De Stijl's forms and Arnold Schonberg's music

虽然风格派的形式和勋伯格的十二音是不同的创作学科，但它们都构成了强烈的有意识的倡议，远离了绘画和建筑的“不言而喻”的规范，这些规范依赖于重力或音乐，服从于自由表达的调性。此外，他们都表达了“没有绝对的向下，没有右或左，向前或向后”的共同概念和声明，清楚地反映了他们各自的“非重力”和“非音调”作品，这些作品都是通过追求没有中心“重量”的创造性形式而形成的。

Although distinct creative disciplines, De Stijl’s forms and Schonberg’s dodecaphony both constituted strong conscious initiatives away from the “self-evident” norms of painting and architecture premised upon gravity or music subordinated to tonality toward free expression. Moreover, shared concepts and statements they both voiced about “no absolute down, no right or left, forward or backward” clearly reflect their respective “non-gravitational” and “non-tonal” oeuvres shaped by pursuit of creative forms with no centering “weight.”