Relationship between Leonardo, Goethe and the color theory in Italy around 1800

我的研究项目的中心是对达芬奇剩余手稿的调查。我的主题是关于北欧地区的作坊实践，特别是歌德时代的艺术理论，关注列奥纳多色彩研究的艺术理论冲动。与当前的批评相反，必须强调的是，歌德在1810年的颜色理论中回应(并修改)了列奥纳多关于光、明暗对比和有色阴影的经验研究的中心要素。

In the center of my research project is the investigation of Leonardo da Vinci's remaining manuscripts. My subject focuses on the art-theoretical impulses of Leonardo's color research with regard to the workshop practice in the northern European territories and especially to the art-theory of Goethe's time. Contrary to current criticism it has to be emphasized that Goethe in his color theory of 1810 responded to (and modified) central elements of Leonardo's empirical investigations of light, chiaroscuro and colored shadows.