Studies on the symbolic structure of the supernatural plays of William Butler Yeats

本文从多个维度分析了爱尔兰诗人、剧作家、幻想家威廉·巴特勒·叶芝的超自然戏剧的象征结构：系统运用头韵的声音象征主义、融合了爱尔兰民间传说的唯心主义以及日本的能根观念。叶芝在《古楚兰周期》中的最后一部戏剧《库丘兰之死》就是从这些角度来讨论的。此外，在《老鹰的井》和《猫与月亮》中，我们还将其与诺伊剧《约罗》和京根剧《奇卡祖·扎托》进行了比较。

I have analyzed the symbolic structure of the supernatural plays of William Butler Yeats, an Irish poet, playwright and visionary from multi-dimensional perspectives: sound symbolism characterized by the systematic use of alliterations, spiritualism mingled with Irish folklore and the idea of the Japanese Noh and Kyogen. The Death of Cuchulain, Yeats's last play of the Cuchulain cycle, has been discussed from these perspectives. Also, At the Hawk's Well and The Cat and the Moon have been examined in comparison with a Noy play, Yoro anda a Kyogen play, Kikazu Zato.