Reconsidering Fin'amor through a rhetorical analysis of North French poets' chanson courtoise

我们分析了北法国诗人的颂歌，以提炼出两个主要的谜团(第一个，从一个共同的义务可能有效地作用于封建关系的不言而喻的前提开始，诱使您-夫人-君主为我的臣仆的服务给予‘奖励’；第二个，从另一个不言而喻的前提开始，即一个领主可能是他的臣民的榜样，因此是所有善的化身，诱使您-夫人-君主对我-瓦萨‘仁慈’)，并将这首诗的性质定义为一场基于中世纪Rhetorica的教育实践的逻辑说服的智力游戏。然后，我们提出了对纯爱这一关键术语的新理解，指出了一个战略阶段，即在女性劝说的语境中，应该有两个情人的比喻封建和Fin‘amant(纯爱)的美丽名字，同时也应该有作用于这些诗意活动的精神。

We analyze North French poets' chanson courtoise to extract two major enthymemes (the first one, starting with an unstatede premise that a mutual duty may operate effectively upon the feudal relationship, induces You-Lady-Sovereign to give a 'reward' for My-Vassal's services; the second, starting with another unstated premise that a lord might be an examplar to his vassals, and hence be an incarnation of all goodness, induces You-Lady-Sovereign to have 'mercy' on Me-Vassal), and to define the nature of this poetry as an intellectual game of logical persuasion based upon the educational practices of the Rhetorica in the Middle Ages. Then, we propose a new understanding of the key term fin'amor (pure love), pointing out a strategic phase that should have the metaphoric feudalisation of two lovers and the beautiful name of fin'amant (pure lover) in the context of the persuasion of a woman, at the same time the spirits that should operate upon these poetical activities.