Canonic Techniques and Musical Change from c.1330 to c.1530

这个项目的目的是重新定义目前对大约1330到1530年的音乐作品的理解。利用创新的计算工具，它的目的是首次展示作曲家用来创作不同类型的音乐经典的特定技术。由此产生的专著将寻求在作曲实践的历史上做出实质性和原创性的贡献，并展示正典技术在更广泛的社会文化功能和音乐使用中所发挥的基础作用。

This project aims to reconceptualise current understandings of musical composition from circa 1330 to circa 1530. Employing innovative computational tools, it aims to show for the first time the specific techniques that composers employed to create different kinds of musical canons. The resulting monograph will seek to make a substantive and original contribution to the history of compositional practice and demonstrate the fundamental role played by canonic techniques in broader sociocultural functions and uses of music.