Making the music of the Wode Psalter widely accessible through web-based performing editions and a recording.

最初由澳大利亚人权委员会资助的项目“英国宗教改革的世界：在《沃德诗篇》中看到和听到”在实现其目标方面非常成功。在计划该项目时没有预料到的是，该项目的重点是展示部分书籍和讲述他们的故事，这将是表演者，无论是歌手还是乐器演奏者，在获得更广泛的选择中的现代格式和符号的Wode部分书籍中的音乐方面有很大的兴趣。由于这些音乐中的大部分都有可能由业余和专业团体表演，因此将其纳入现代曲目的最大障碍仍然是原始的记谱法和部分书格式（每本书一个声音部分，而不是所有声音一起印刷）。虽然在过去的五十年里，《诗篇》的一些音乐已经被印刷出来，但这是零星的，几乎完全是在学术收藏版中，如《大英音乐》系列的第十五卷。虽然现代版的一些音乐是为了准备录音和音乐会组织作为原始项目的一部分，这是目前还没有提供给唱歌和演奏的公众，也没有设想它会。拟议的后续项目将设法满足这一需求，提供免费访问的广泛选择的音乐所载的沃德partbooks。活动的对象包括专业及业馀合唱团（包括教会合唱团）、专业及业馀器乐团体（特别是经常演奏早期音乐的团体）、学校合唱团及器乐团体。通过这些团体的活动，部分书籍中的音乐将进一步提供给更广泛的公众，包括音乐会观众，教堂会众，学校和高等教育水平的学生。部分书籍包含了丰富的不同类型的音乐，这些音乐在中世纪和现代早期的苏格兰被人们所熟知和演奏。该项目建议转录和编辑所有由苏格兰作曲家编排的格律诗篇、赞美诗和圣歌，以及由托马斯沃德复制的苏格兰和大陆作曲家的经文歌、赞美诗和器乐，以便于现代演奏。这种音乐是苏格兰音乐遗产的重要组成部分，其相对难以接近导致其被忽视。为了最大限度地提高可访问性，该项目建议通过特定网站免费提供音乐版本，而不是通过印刷版。音乐越来越多地通过这些网站提供，这样做是对销售印刷音乐挑战的创新和创造性回应。通过使用网站而不是纸质出版物，该项目的国际范围也将得到加强。这将代表着早期苏格兰音乐的一个创新的出发点，并将使它能够接触到比迄今为止更广泛的观众。基于网络的插件，如'灼烧'将允许用户看到和听到的音乐之前，打印它，以及允许表演者听到个别部分的回放。该软件还将允许转换，以适应特定表演团体的能力。经过编辑的大量精选音乐的录音将由专家和备受推崇的苏格兰早期音乐团体达尼丁配偶制作，并以商业CD和下载的形式提供，以展示音乐和传播其表演的良好做法。将现代音乐版本，录音和将在中世纪音乐数字图像档案中提供的partbooks中的数字图像捆绑在一起，将为这个非常重要的剧目提供迄今为止无法获得的独特资源。

The original AHRC-funded project, 'The World of Reformation Britain: seen and heard in the Wode Psalter', has been highly successful in achieving its objectives. What was not anticipated at the time of planning that project - which centred on exhibiting the partbooks and telling their story - was that there would be considerable interest by performers, both singers and instrumentalists, in getting access to a broader selection of the music contained in the Wode partbooks in modern format and notation. Since much of this music is potentially performable by amateur and professional groups, the most significant obstacle to its inclusion in modern repertories remains the original notation and partbook format (one voice part per book rather than all voices printed together). Although some of the Psalter's music has been printed over the past fifty years, this has been sporadic and, almost exclusively, in scholarly collected editions such as vol. xv of the Musica Britannica series. While a modern edition was made of some of the music in preparation for the recording and concerts organised as part of the original project, this is not currently available to the singing and playing public, nor was it envisaged that it would be. The proposed follow-on project will seek to satisfy this demand by providing free access to a broad selection of the music contained in the Wode partbooks. The target audiences for this will include professional and amateur choirs (including church choirs), professional and amateur instrumental groups (in particular those regularly performing early music), school choirs and instrumental groups. Through the activities of these groups the music in the partbooks will further be made available to a much wider public including concert-goers, church congregations, school and higher-education level students. The partbooks contain a wealth of music of different types which was known and performed in Medieval and early modern Scotland. The project proposes to transcribe and edit for easy modern performance all of the metrical psalms, hymns and canticles arranged by Scottish composers, as well as motets, anthems and instrumental music by Scottish and continental composers copied by Thomas Wode. This music is an important part of Scotland's musical heritage, whose relative inaccessibility has caused its neglect. Well-researched entries for the Scottish composers involved will also be prepared for Wikipedia.In order to maximise accessibility the project proposes to make the musical editions freely available through specific websites, rather than through a printed edition. Music is increasingly being made available through such websites and to do so for a repertory such as this represents an innovative and creative response to the challenges of marketing printed music. By using a website, rather than paper publication, the international scope of the project will also be enhanced. This will represent an innovative departure for early Scottish music and will allow it to reach a much wider audience than hitherto. Web-based plug-ins such as 'Scorch' will allow users to see and hear the music before printing it, as well as allowing performers to hear a playback of individual parts. The software will also allow transposition to fit the abilities of particular performing groups. A recording of a substantial selection of the music edited will be made by the specialist and highly-prized Scottish early music group, The Dunedin Consort, and made available both as a commercial CD and a download, in order to demonstrate the music and disseminate good practice in its performance. The bundling together of the modern music edition, the recording, and the digital images from the partbooks which will be available on the Digital Image Archive of Medieval Music will provide a unique resource not hitherto available for this highly-important repertory.