EXODUS: Mapping a lost tradition: Golden Age Drama in the Spanish Republican Exile (1939-1975)

近50万西班牙人在西班牙内战结束时离开了自己的家园。这些难民中有代理人，他们在第二次西班牙共和国时期为世界戏剧史上的主要里程碑之一--黄金时代戏剧(GAD)的复兴做出了贡献。有人认为，在拉丁美洲建立的侨民中，西班牙流亡者网络促成了这一遗产的跨国传播。然而，这一假说尚未得到系统的探索。出走将解决这一赤字，并重建与西班牙流亡有关的GAD的上演历史(1939-75年)。该项目有两个目标：1)重建参与传播GAD的难民网络；2)解释GAD是如何在流亡中上演的，特别是被最被忽视的西班牙流离失所群体妇女上演的。这项MSCA课程将为我的脱颖而出提供理想的条件：a)它将把我在GAD的背景与我的导师惠勒教授(UNIVLEEDS)的知识结合起来，惠勒教授是GAD、戏剧和性别研究方面的世界专家；b)它将通过学习Python来加强我作为数字人文主义者的形象，这将使我能够进行社交网络分析，我将在我借调到国际电联期间学习这些知识。《出埃及记》将提供GAD上演的另一种历史，传统上是根据弗朗索瓦式的西班牙产生的反动阶段来叙述的。它还将提供一种方法，用于分析可在时间和地理环境中复制的流亡者网络。它将通过强调流亡者作为其文化的跨国传播者的作用来尊重流亡者。这是特别及时的，因为它将提供一种话语，对抗正在崛起的极右翼政党针对难民发起的话语。出走将使我能够以我作为GAD领先专家的资历为基础，成为一名拥有新的智力见解和方法论方法的独立研究员，并有能力领导我的研究团队。

Almost half a million Spanish left their homeland at the end of the Spanish Civil War. Among these refugees were agents who during the Second Spanish Republic contributed to the revitalization of Golden Age Drama (GAD), one of the major landmarks in the history of world theatre. It has been argued that in the diaspora established in Latin America a network of Spanish exiles contributed to the transnational diffusion of this legacy. However, this hypothesis has yet to be explored in a systematic manner. EXODUS will settle this deficit and reconstruct the history of the staging of GAD in relation to Spanish exile (1939-75). The project has 2 objectives: 1) to reconstruct the network of refugees involved in the dissemination of GAD, and 2) to explain how GAD was staged in exile, particularly by women, the most neglected group of displaced Spaniards. This MSCA will provide the ideal conditions to develop EXODUS: a) it will pair my background in GAD with the knowledge of my supervisor, Prof Wheeler (UNIVLEEDS), world expert in GAD, Theater and Gender Studies; b) it will strengthen my profile as Digital Humanist by learning Python, which will allow me to perform Social Network Analysis and which I will learn during my Secondment at ITU. EXODUS will offer an alternative history of the staging of the GAD, traditionally narrated in terms of the reactionary stagings produced in Francoist Spain. It will also provide a methodology for analysing networks of exiles reproducible across chronological and geographical settings. It will dignify exiles by highlighting their role as transnational disseminators of their cultures. This is particularly timely, as it will offer a discourse that will counter the one launched by the rising ultra-right parties against refugees. EXODUS will allow me to build upon my credentials as a leading expert in GAD to becoming an independent researcher with new intellectual insights and methodological approaches and capable of leading my research group.