Art Box digital

Art Box数字平台旨在将现有的低成本硬件和经过验证的同行分发软件打包成一个值得信赖的订阅平台，为文化机构的策展人和导演、艺术家及其观众提供自主创新大型数字媒体的能力。该项目的目标是将技术细节简化为一种即插即用的服务模式--填补画廊富媒体、流媒体和低分辨率媒体之间的空白--其潜在结果是使用传统的艺术订阅形式培养创新的艺术体验。指导和培训将有助于验证和开发一种全面的商业模式，为艺术机构提供平台，出版商和节日分发数据丰富的经验和艺术作品，使用杂志式的订阅模式与数字网络配对。灵感来自多媒体丰富的艺术订阅，如20世纪60年代的白杨杂志和20世纪90年代的文字和图片艺术订阅盒，但数字时代。如果艺术品太大而无法进行流媒体传输，或者太复杂或太昂贵而无法在专用存储上销售，那么就需要一个介于两者之间的平台：该平台由邮政订阅、设备和数字发行组成。这项工作开发了一个模型，可以在更丰富的媒体上为重要的文化机构提供更多控制权。虽然区块链和其他平台已经证明了艺术机构尝试网络分发的意愿，但这些平台的文件大小天生有限。发送大型媒体往往受制于流媒体成本或第三方广播公司的限制。由于员工和基础设施有限，内部实验很难进行，而且对于偶尔使用的用户来说，复杂性障碍阻碍了以艺术为中心的流畅体验。其目的是通过设计一种低成本的设备，搭配通过帖子分发更新的订阅模式，艺术机构可以为观众提供更流畅，标准化，可信和更安全的艺术品分发平台。解决方案是降低大型，丰富的媒体分发的障碍，其中规范一直是流媒体或低分辨率文件托管。艺术订阅模式可以从一个组织扩大规模。

The Art Box digital platform seeks to package existing low-cost hardware and proven peer-distribution software into a trusted subscription platform to give curators and directors in cultural institutions, artists, and their audiences, the power to innovate with large digital media, on their own terms. The aim of this project is a model that simplifies technical details into a plug-and-play service - that fills a gap between gallery rich-media, streaming and low-resolution media - with the potential outcome of fostering innovative arts experiences using a traditional art subscription form.Coaching and training will help to validate and develop a comprehensive business model for a platform for arts institutions, publishers and festivals to distribute data-rich experiences and artworks, using a magazine-style subscription model paired with digital networking. Inspired by multimedia-rich art subscriptions like the 1960s Aspen Magazine and 1990s Words & Pictures art subscription boxes, but for the digital age. Artworks too big to stream, too complex or costly to sell on dedicated storage, need something in-between: the platform consists of a postal subscription, a device, and digital distribution.This work develops a model to give more control, over richer media, to significant cultural institutions. While blockchain and other platforms have demonstrated the appetite of arts institutions to experiment with networked distribution, those have an inherently limited file size. Sending out big media is often beholden to streaming costs or constraints of third-party broadcasters. In-house experimenting is difficult with limited staff and infrastructure, and a complexity barrier for occasional users that prevents smooth arts-focused experiences.The intent is that by designing a low-cost device paired with a subscription model that distributes updates through the post, a smoother, standardised, trusted and more secure platform for artwork distribution can be offered by arts institutions to audiences. The solution is lowering the barriers to large, rich, media distribution, where the norm has been streaming or low-resolution file hosting. The art subscription model can scale up from one organisation.