Transcribing Environmental Sound: The Acoustics of Post-industrial Space

我建议写一本创新的音频诗词作品集，使用前工业空间的实地录音和录音。这项以实践为基础的研究将探索一个实验性的三阶段创作过程，即听、写和表演。我的3万字评论论文聚焦于两位诗人--爱丽丝·奥斯瓦尔德和佐伊·斯库尔丁--他们在作曲、写作和表演过程中探索了环境声音，我的随附评论论文将调查诗歌对去工业化听觉环境的诗意反应和表现。

I propose to write an innovative collection of audio-poetic works composed using field recordings of former industrial spaces and recorded voice. This practice-based research will explore an experimental three-stage creative process of listening, transcription and performance. Focusing on two poets - Alice Oswald and Zoë Skoulding - who explore environmental sound in their composition, writing and performance processes, my accompanying 30,000-word critical thesis will investigate poetic responses to and representations of the temporal nature of de-industrialised auditory environments.