New media ecologies and memory in Chile and Argentina: confronting the violent past online.

随着互联网的普及，许多博物馆和档案馆都开发了数字媒体平台，以吸引观众和分享知识。数字遗产包括对后代具有持久价值的“基于计算机的材料”（www.unesco.org）。通过数字化，互联网为新的观众提供了接触藏品、互动空间和虚拟博物馆环境的途径。在经历了独裁统治和冲突之后，许多拉丁美洲国家在20世纪90年代和21世纪初建立了物理记忆场所，以纪念那些遭受苦难的人，进行教育，并引发民主辩论和对人权的尊重。尽管与这些物理记忆空间相关的文献越来越多（Jelin, 2007; Bell, 2014; Di Paolantonio, 2011; Da SilvaCatela, 2001），但很少有人将在线平台作为传递记忆、吸引观众和存档过去的替代空间，尽管它们在拉丁美洲国家经常发挥主导作用。

With the proliferation of the internet many museums and archives have developed digital mediaplatforms for engaging audiences and sharing knowledge. Digital heritage consists of 'computerbased materials of enduring value' for future generations (www.unesco.org). Through digitisation,the internet provides new audiences access to collections, interactive spaces and virtual museumenvironments.After dictatorships and conflict, many Latin American countries in the 1990s and 2000s createdphysical memory sites to remember those who suffered, to educate, and to generate democraticdebate and respect for human rights. While there is an ever-expanding body of literature thatengages with these physical memory spaces (Jelin, 2007; Bell, 2014; Di Paolantonio, 2011; Da SilvaCatela, 2001) there has been little engagement with online platforms as alternative spaces totransmit memories, engage audiences, and archive the past despite their often leading role in LatinAmerican countries.