Words Between Worlds: Ekphrastic Poetry and Habitus Dislocation

这个创造性的批判性博士将考虑工人阶级艺术家作为“越界者”跨越“惯习”的边界（如布迪厄所定义的）。调查诗歌和摄影之间的交叉点，它将提出作为一种“人文主义纪录片”，它可以解决身份问题的阶级迁移煽动ekphrastic诗歌。为了进一步探讨诗歌中的“人文主义纪实”思想，我将探讨东北地区的女性诗人是如何参与和“超越”她们的工人阶级出身的。最后，我将在我自己的作品中实现这种“穿越”，用理查德比灵厄姆等人的照片作为跳板，用一个诗意的序列来描绘我自己的“习性错位”。

This creative-critical PhD will consider the working-class artist as 'transgressor' across boundaries of'habitus' (as defined by Bourdieu). Investigating intersections between poetry and photography, it willpropose ekphrastic poetry as a type of 'humanist documentary' which can address questions of identityinstigated by class migration. To further explore the idea of 'humanist documentary' in poetry, I willexamine how women poets in the North-East have engaged with and 'transgressed' their working-classorigins. Finally, I will enact this 'crossing' in my own work, using photographs by Richard Billingham andothers as springboards for a poetic sequence charting my own 'habitus dislocation'.