Analytics and examination of the audience experience within Blast Theory works / AI integration into future Blast Theory artworks

研究问题将考虑人工智能技术如何支持互动艺术作品中的书面内容创作，以提高和理解观众的参与度。对受众与应用程序交互的后续分析可以揭示技术的局限性，如果解决这些局限性，可以提高人机交互的质量，自治系统的信任以及个人数据和经验的共享。这种分析还可以帮助理解人们如何通过自主生成的书面通信为数字交互赋予意义和价值，并更好地开发自主系统。在艺术环境中使用人工智能的另一个目标是用批判的方法研究技术，而不受商业驱动决策的限制，并以艺术探索和观众互动的意外结果的开放性。该研究旨在了解人类与人工智能聊天机器人在艺术环境下的对话动态，这可能会故意将对话置于不寻常的情况下，可能不舒服，或者突出在类似商业应用中通常被忽视的方面。由于艺术可以激发我们以不同的方式看待事物并鼓励探索新的领域，因此我们的目标是传达嵌入在艺术装置中的关键信息，并从观众与艺术品的互动中了解更多技术。这种对技术的批判方法是一些Blast Theory艺术作品的部分基础，这些艺术作品经常结合现场和在线与观众的互动，调查非常私人和非常公共之间的紧张关系，直接的物理体验和通过互联网和新技术进行的数字互动之间的紧张关系。

The research question will consider how artificial intelligence technologies support written content creation in interactive artworks to improve and understand audience engagement. The consequent analysis of the audience interaction with the application can expose limitations of the technology that, if addressed, can improve the quality of the human-computer interaction, the trust of autonomous systems and the sharing of personal data and experiences. This analysis can also help understand how people attach meaning and value to digital interactions with autonomously generated written communications and better develop autonomous systems. Another objective of using AI in an art context is to investigate the technology with a critical approach without the constraints of commercial driven decisions and with an openness of unexpected outcomes proper of art exploration and audience interaction. The research aims to understand the dynamics of conversation between a human and an artificial intelligence chatbot in an artistic context that might deliberately position the conversation in an unusual situation, perhaps not comfortable, or highlights aspects usually ignored in similar commercial applications. As art can inspire us to see things differently and encourage exploring new territories, the goal is to communicate a critical message embedded in the art installation and learn more about the technology from the audience interaction with the artwork. This critical approach to technology is partially the foundation of several Blast Theory artworks that often combine live and online engagement with their audience, investigating the tension between the very private and the very public, between direct physical experience and a digital interaction through the Internet and new technologies.