How can the concept of 'Failure' be used as a methodology to create a body of Experimental Music Theatre work?

我的研究将“失败”作为一个美学范畴来探讨，将这些理论具体应用于詹妮弗·瓦尔什的宣言“新学科”(2016)的背景下。除了她自己，沃尔什还包括詹姆斯·桑德斯、娜塔莎·迪尔斯和马修·什洛莫维茨，他们都是运用多种学科的艺术家。通过将这一新学科的各个方面与朋克DIY美学相结合，我将超越先前存在的工作，创造一部可用作政治和女权主义策略的作品，以推翻人们对实验音乐中女性音乐家的期望。到目前为止，我的研究已将我引向Sara Jane Bailes的《表演剧院和失败的诗学》(Routledge 2010)。自那以后，失败在实验剧场研究中得到了广泛的讨论。Tim Etchells和Matthew Goulish的网站“失败研究所”就是一个明显的例子。莎拉·戈尔曼的《表演中的女性：重新定位失败》(Routledge 2020)和杰克·哈伯斯塔姆的《失败的酷儿艺术》(杜克大学出版社，2011)将失败作为对成功的传统理解的替代途径，将文化理论与艺术实践相结合。埃尔德里奇·普里斯特(Eldrich Priest)的《无聊、无形、无稽之谈》(Bloomsbury学术版，2013)将失败的话语引入了实验音乐。普赖尔本人在他的研究中谈到了缺乏女性从业者的问题，他声称，在实践中，只有那些(总是)已经作为社会代理人取得成功的人才能玩弄失败，在西方文化中，这传统上是男性的特权。我的研究和工作将探索如何将失败作为一种政治和女权主义策略，颠覆对女性音乐家的期望，并将女性朋克颠覆性美学带入实验音乐语境。我的主要研究目标是：1.将失败作为决定性的作曲美学来打破，并挑战当前的作曲实践。了解准备失败是如何影响工作结果的。对实验音乐中失败的论述进行扩展，以包括跨学科的工作和对实验音乐中女性音乐能力和男性血统的普遍期望。这项研究的主要成果将是一部原创作品，将失败作为解放创作思维和建立有用的作曲方法的一种充满希望的策略。作为协作型

My research explores discourse on 'Failure' as an aesthetic category, applying these theories specifically within the context of Jennifer Walshe's manifesto, "The New Discipline" (2016). Alongside herself, Walshe includes James Saunders, Natacha Diels and Matthew Shlomowitz as artists who draw on multiple disciplines. By combining aspects of this new discipline and Punk DIY aesthetics, I will go beyond pre- existing work to create an oeuvre that can be used as a political and feminist strategy to overturn received expectations of female musicianship in experimental music.My research thus far has led me to Sara Jane Bailes' "Performance Theatre and the Poetics of Failure" (Routledge 2010). Failure has since been widely discussed in experimental theatre studies. Tim Etchells and Matthew Goulish's website, the "Institute of Failure", is a notable example. Merging cultural theory and artistic practice, Sarah Gorman's "Women in Performance: Repurposing Failure" (Routledge 2020) and Jack Halberstam's "The Queer Art of Failure" (Duke University Press 2011) discuss failure as an alternative route to 'conventional understandings of success'.Eldrich Priest's "Boring, Formless, Nonsense" (Bloomsbury Academic 2013) brings the discourse to experimental music. Priest himself remarks upon the lack of women practitioners in his study, claiming that 'in practice only those who have (always) already succeeded as social agents can play with failing, and in Western culture this has traditionally been the prerogative of men'. My research and work will explore how failure might be used as a political and feminist strategy, upturning expectations of female musicianship and bringing female Punk subversive aesthetics into the experimental music context.My primary research aims are to:1. Use failure as a decisive compositional aesthetic to break from, and challenge current compositional practice.2. Discover how setting out to fail affects the outcome of a work.3. Expand upon the discourse of failure in experimental music to include interdisciplinary work and challenge received expectations of female musicianship and the male lineage in experimental music.The main outcome of this research will be an original body of work that promotes failure as a hopeful strategy to liberate the creative mindset and establish a useful compositional method. As a collaborative