Human and synthesised speech structures: compositional approaches to analysis, generative methods and musical transformation

近年来，作曲家们一直在寻找新的方法来使用语音作为音乐源材料（巴雷特，2009），但合成语音作为器乐的来源是相对未开发的（莱恩，2006）。以合成语音和人类语音的音质和结构为起点，用乐器和马达的声音调色板写作，我将使用最近的分析工具（Nardelli，2021）和音频神经网络开发新的作品。表演和录音以及基于实践的论文将扩展当代音乐领域的源材料，音质和音乐转换方法。

In recent years composers have been finding new ways to use speech as musical source material (Barrett, 2009) but synthesised speech as a source for instrumental music is relatively unexplored (Lane, 2006). Taking the sound qualities and structures of synthesised and human speech as a starting point, and writing with a sound palette of instruments and motors, I will develop new compositions using recent analysis tools (Nardelli, 2021) and audio neural networks. Performances and recordings alongside a practice-based thesis will extend the source materials, sound qualities, and musical transformation methods in the contemporary music field.