Music in the English Episcopal Liturgy: A Survey and Analysis of Melodies in Prestandard Pontifical Manuscripts.

在我的博士学位，我将探索圣歌，礼拜仪式，手稿生产的交集，并通过在10至13世纪写的教皇手稿的镜头，在中世纪早期的英格兰传播。很少有学者对早期的宗座及其音乐内容进行研究。因此，它们作为理解中世纪英格兰通过音乐和主教礼仪进行文化传播的载体的潜力尚未得到充分探索。通过对这一时期大约20位幸存的宗座圣歌的调查，以及对三种宗座仪式中圣歌的详细案例研究，我将确定旋律变体，并将其置于其生产地点、使用地点和诺曼征服影响所产生的社会政治因素的背景下。这将提供深入了解音乐在盎格鲁-撒克逊和盎格鲁-诺曼主教礼拜仪式的意义和发展。

In my PhD, I will explore the intersection of chant, liturgy, manuscript production, andtransmission in early medieval England through the lens of pontifical manuscripts written in the tenth tothirteenth centuries. Little scholarship has been undertaken on early pontificals and their musical content.Thus, their potential as a vehicle for understanding cultural transmission through music and episcopalliturgy in medieval England has not been fully explored. Through a survey of notated chants inapproximately 20 surviving pontificals from this period, accompanied by a detailed case study of chantsin three pontifical rites, I will identify melodic variants and situate these within the context ofsociopolitical factors arising from their place of production, place of use, and the impact of the NormanConquest. This will provide insight into the significance and development of music in the Anglo-Saxonand Anglo-Norman episcopal liturgy.