Perils and Pleasures: Postfeminism and Contemporary Popular Culture

在20世纪90年代和21世纪头10年，消费主义和私人领域复古主义的文化加剧，利用“家庭价值观”和“后女权主义”的修辞来修改现有的影视模式、杂志内容和流行音乐。我的研究着眼于后女权主义媒体文化如何拉近女性公共和私人领域之间的距离，重新塑造与女权主义无关的与有偿工作和家庭生活相关的担忧和困境，并在此过程中产生新的女性特质原型，包括回家的女孩、被救赎的新娘和母亲、后女权主义派对女孩和家庭感官主义者。

In the 1990s and 2000s a culture of intensified consumerism and private sphere retreatism deployed rhetoric's of "family values" and "postfeminism" to modify existing film and television formulas, magazine content and popular music. My research looks at how post-feminist media culture is elongating the distance between public and private spheres for women, re-casting concerns and dilemmas relating to paid work and home life as unrelated to feminism, and in the process generating a new archetypes of femininity including the girl who goes home, the redeemed bride and mother, the postfeminist party girl and the domestic sensualist.