Marco Bellocchio: Individualism and Anarchy

在意大利，马可·贝洛基奥一直被认为与贝托鲁奇、维斯康蒂、费里尼和安东尼奥尼齐名，是近四十年来最重要的导演电影制作人之一。事实上，意大利最受尊敬的影评人之一利诺·米奇切尔（Lino micicich<e:1>）最近将贝洛基奥列为60年代后最伟大的导演。然而，贝洛奇奥在英语世界几乎不为人所知，也没有关于他的英语专著。在意大利和法国，已经有关于《贝洛奇奥》的专著，但往往遵循逐部电影分析的形式，不允许对潜在主题进行深入讨论。在意大利，也有许多编辑过的作品和文集出版，特别是在过去的5年里，但这些都是对导演作品的零碎分析，没有人深入探讨我所探讨的两个论点（政治和精神分析）。这项研究是及时的，因为它符合人们对贝洛奇奥电影日益增长的兴趣，这在最近的一些关于他在英国和美国工作的论文中得到了证明，在新的研究生研究中，以及最近在伦敦和其他地方放映的他的电影的回顾中。目的和目标。这本专著旨在将贝洛奇奥的电影介绍给英语国家的公众，重点关注他作品中最重要的方面——政治和精神分析——并将他的电影制作置于意大利和欧洲电影制作的大背景下。目标是：1。分析贝洛奇奥电影的政治一面，特别是探索通过纪录片（风格）拍摄记录政治事件，尽管讽喻的拍摄和从不同的时间点和不同的角度重新记录事件之间的关系。2. 分析贝洛基奥电影的精神分析方面，特别关注电影主观性的问题。3. 通过提供完整的电影目录和参考书目，为进一步研究《贝洛基奥》以及意大利政治和精神分析电影制作提供研究资源。应用和好处。该研究的主要潜在应用领域将是教学和科研。这部专著应该更好地理解一位在英语世界被忽视的导演，从而扩大英美学术环境中讨论的意大利电影制作人的刻板标准的界限。此外，研究当代意大利文化和政治史的学者，以及对电影中政治和精神分析思想的表现感兴趣的电影学者，也会对这本专著感兴趣。

In Italy, Marco Bellocchio has long been considered the equal of Bertolucci, Visconti, Fellini, and Antonioni, and is one of the most important auteur film-makers of the last forty years. Indeed, Lino Micciché, one of Italy's most respected film critics, has recently ranked Bellocchio as the greatest post-1960s director. However, Bellocchio is practically unknown in the English-speaking world, and no monographs on him in English exist. In Italy and France, monographs have been written on Bellocchio, but tend to follow the format of the film-by-film analysis, which does not allow for the in-depth discussion of underlying themes. In Italy there have also been many edited works and collections of articles published, especially in the past 5 years, but these present a fragmentary analysis of the director's work, and none treat the two arguments that I explore (politics and psychoanalysis) in any depth. The research is timely as it fits into a growing interest in Bellocchio's cinema, evidenced in a number of recent papers given on his work in England and America, in new postgraduate research, and in retrospectives of his cinema screened recently in London and elsewhere. Aims and Objectives. This monograph proposes to introduce Bellocchio's cinema to the English-speaking public, focusing on the most significant aspects of his work - politics and psychoanalysis - and locating his filmmaking within the context of Italian and European filmmaking more generally. The objectives are: 1. To analyse the political side of Bellocchio's cinema, in particular exploring the relationship between recording political events through documentary(style)-filming, though allegorical filming and re-recording events from different points in time and different perspectives. 2. To analyse the psychoanalytical side of Bellocchio's cinema, looking particularly at issues of filming subjectivity. 3. to provide a research resource for further research on Bellocchio and on political and psychoanalytical filmmaking in Italy by the provision of complete filmographies and bibliographies. Applications and Benefits.The main potential applications of the research will be in teaching and research. The monograph should provide a better understanding of a director who has been neglected in the English-speaking world, thus expanding the boundaries of the rigid canon of Italian filmmakers discussed in the Anglo-American academic environment. In addition, the monograph will also be of interest to scholars working on the cultural and political history of contemporary Italy, and to film scholars in general who are interested in the representation of political and psychoanalytical ideas in cinema.