Shaping Indonesian Contemporary Art: the role of institutions

东南亚是国际艺术界的新焦点。在缺乏支持西方当代艺术的公共赠款项目和艺术机构的情况下，印度尼西亚国内的主要结构是什么，这些结构决定了艺术家的选择，在经济上支持他们的工作，并决定了什么是呈现给世界的“当代印度尼西亚艺术”？通过审查主要艺术教学机构（在万隆、日惹和雅加达）的作用;艺术批评及其载体;展览;博物馆和私人收藏;艺术拍卖;以及艺术家集体，该项目将印度尼西亚艺术视为商品形式与艺术家参与全球当代艺术的创造性愿望之间紧张关系的产物。

Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in Bandung, Yogyakarta and Jakarta); art criticism and its vehicles; exhibitions; museums and private collections; art auctions; and artists' collectives, this project looks at Indonesian art as the product of tension between commodity forms and the creative desires of artists to participate in global contemporary art.