The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909.

另一个东方通过研究1839-1909年君士坦丁堡奥斯曼画家和赞助人的优先事项来重新解释东方主义艺术。我的目标是通过深入研究奥斯曼精英在19世纪君士坦丁堡艺术发展中的作用，对东方主义产生新的理解。这将是对这一时期奥斯曼帝国首都跨文化互动复杂网络的首次全面研究，包括主要艺术展览，苏丹的赞助以及欧洲和奥斯曼女性艺术家和赞助人之间的独特合作。其结果将是后殖民主义和女权主义艺术史中的一项重大创新，通过纳入土著人对东方主义艺术的生产和接受的观点。其结果将是两篇经过评审的期刊文章和一本题为《另一个东方》的书。

The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.