Extraordinarily White: The De/Spectacularization of the Albinotic Body and the Normalization of Its Audience

Extraordinarily White: The De/Spectacularization of the Albinotic Body and the Normalization of Its Audience
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非凡的白色:白化身体的去/壮观化及其受众的正常化

DOI:
10.1007/978-3-319-91174-8_4
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发表时间:
2019
期刊:
Beauty and the Norm
影响因子:
--
通讯作者:
Matthias Krings
Matthias Krings
中科院分区:
--
文献类型:
--
作者:
Christopher;Matthias Krings

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本章讨论了畸形表演、艺术摄影和时装模特这三种文化机构,以及它们通过呈现白化病人的身体而塑造的各自的形象。在这些结构化视觉的案例中,身体的偏差和规范是如何协商的?将"白化病怪胎“作为一种绝对的介于两者之间的现象进行了壮观的展示,怪胎秀在舞台上的非凡人物和观众之间划出了鲜明的界限,同时赋予后者以正常。另一方面,里克·吉多蒂(Rick Guidotti)的摄影行动主义唤起了“积极曝光”,使白化病患者个体化,从而部分打破了异常他人和正常观众之间的区别。最后,在时装模特界,白化病人的身体再次成为一种奇观。非凡而美丽的同时,这个数字,像“普通”模型,拥有一个抢手的独特性,而仍然无法实现。相反,它赋予观众他们希望超越的平凡和正常。
This chapter discusses three cultural institutions–freak show, art photography and fashion modelling–and the respective figures they produced by presenting albinotic bodies. How are bodily deviance and norm negotiated in these cases of structured seeing? Spectacularizing the ‘albino freak’ as a categorical in-between phenomenon, the freak show drew a sharp distinction between the extraordinary figure on stage and its audience while bestowing the latter with normality. On the other hand, Rick Guidotti’s photographic activism invoking ‘positive exposure’ personalizes albinotic subjects and thus partly breaks down the differentiation between deviant other and normal spectator. Finally, in the world of fashion modelling, the albinotic body is again rendered as a spectacle. Extraordinary and beautiful at the same time, this figure, like ‘ordinary’ models, possesses a sought-after distinctiveness while remaining unattainable. Conversely, it bestows its viewers with the ordinariness and normality they hope to transcend.
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