Movement in Aesthetic Experiences: What We Can Learn from Parkinson Disease.
Movement in Aesthetic Experiences: What We Can Learn from Parkinson Disease.
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审美体验中的运动：我们可以从帕金森病中学到什么。
DOI：
10.1162/jocn_a_01718
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发表时间：
2021-06-01
影响因子：
3.2
通讯作者：
Chatterjee A
中科院分区：
文献类型：
--
作者：
Humphries S;Rick J;Weintraub D;Chatterjee A
视觉艺术为认知神经科学提供了一个机会，研究主观价值是如何从多个神经系统支持的表征中构建出来的。在审美判断研究中的一个令人惊讶的发现是，运动区域对静态的抽象刺激的功能激活，比如绘画，这被假设为反映艺术家绘画动作的具体模拟，或预备方法--对喜欢和不喜欢的艺术品的回避反应。然而，这种运动参与是否在功能上有助于审美还没有得到解决。在这里，我们调查了运动功能障碍患者的审美体验。43名帕金森病患者和40名对照组对高动作的杰克逊·波洛克画作和低动作的皮特·蒙德里安画作进行了动作和美学判断。帕金森病患者表现出稳定的、内部一致的对抽象艺术的偏好，但在这两种情况下，他们对绘画中运动的感知明显低于对照组。患者还表现出对高动作艺术的更高偏好，以及动作和审美之间的关系发生了变化。我们的结果与对审美体验的直接、具体的模拟描述不太一致，因为不包括艺术家行为的视觉痕迹的艺术品仍然被帕金森患者体验为运动较慢。我们认为，运动系统可能参与整合低水平的视觉特征，以形成运动的抽象表征，而不是对特定身体动作的模拟。总体而言，我们发现了将运动反应和审美联系起来的假设的支持，并表明神经功能的改变改变了人们对艺术的感知和评价方式。
Visual art offers cognitive neuroscience an opportunity to study how subjective value is constructed from representations supported by multiple neural systems. A surprising finding in aesthetic judgment research is the functional activation of motor areas in response to static, abstract stimuli, like paintings, which has been hypothesized to reflect embodied simulations of artists’ painting movements, or preparatory approach–avoidance responses to liked and disliked artworks. However, whether this motor involvement functionally contributes to aesthetic appreciation has not been addressed. Here, we examined the aesthetic experiences of patients with motor dysfunction. Forty-three people with Parkinson disease and 40 controls made motion and aesthetics judgments of high-motion Jackson Pollock paintings and low-motion Piet Mondrian paintings. People with Parkinson disease demonstrated stable and internally consistent preferences for abstract art, but their perception of movement in the paintings was significantly lower than controls in both conditions. The patients also demonstrated enhanced preferences for high-motion art and an altered relationship between motion and aesthetic appreciation. Our results do not accord well with a straightforward embodied simulation account of aesthetic experiences, because artworks that did not include visual traces of the artist’s actions were still experienced as lower in motion by Parkinson patients. We suggest that the motor system may be involved in integrating low-level visual features to form abstract representations of movement rather than simulations of specific bodily actions. Overall, we find support for hypotheses linking motor responses and aesthetic appreciation and show that altered neural functioning changes the way art is perceived and valued.
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影响因子：
3.6
作者：
Humphries, Stacey;Holler, Judith;Polialzoff, Ellen
通讯作者：
Polialzoff, Ellen
影响因子：
3.2
作者：
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影响因子：
2.6
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通讯作者：
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影响因子：
2.5
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影响因子：
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作者：
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通讯作者：
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