From Music Ontology towards Ethno-Music-Ontology
From Music Ontology towards Ethno-Music-Ontology
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从音乐本体论到民族音乐本体论
DOI：
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发表时间：
2020
期刊：
影响因子：
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通讯作者：
György Fazekas
中科院分区：
文献类型：
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作者：
Polina Proutskova;A. Volk;Peyman Heydarian;György Fazekas
本文提出了探索性的工作，调查音乐本体[33]的适用性-最广泛使用的音乐领域的正式规范-为非西方音乐传统建模。本文分析了来自不同音乐文化的四个对比案例：荷兰民歌研究，俄罗斯乡村传统的重建表演，波斯古典音乐的当代表演和作曲，以及个人世界音乐收藏的娱乐使用。我们提出了描述各自领域的语义模型，并为这些案例研究检查了音乐本体的应用：哪些概念可以成功地重用，哪些地方需要调整，以及这些案例研究中现实的哪些部分没有被音乐本体覆盖。我们的案例研究涵盖了各种各样的传统、背景和建模目标，这些都揭示了音乐本体的普遍性，以及语义网所期望的“所有音乐”的普遍性的局限性。
This paper presents exploratory work investigating the suitability of the Music Ontology [33] - the most widely used formal specification of the music domain - for modelling non-Western musical traditions. Four contrasting case studies from a variety of musical cultures are analysed: Dutch folk song research, reconstructive performance of rural Russian traditions, contemporary performance and composition of Persian classical music, and recreational use of a personal world music collection. We propose semantic models describing the respective domains and examine the applications of the Music Ontology for these case studies: which concepts can be successfully reused, where they need adjustments, and which parts of the reality in these case studies are not covered by the Music Ontology. The variety of traditions, contexts and modelling goals covered by our case studies sheds light on the generality of the Music Ontology and on the limits of generalisation “for all musics” that could be aspired for on the Semantic Web.
影响因子：
1.1
作者：
György Fazekas;Yves Raimond;Kurt Jacobson;M. Sandler
通讯作者：
György Fazekas;Yves Raimond;Kurt Jacobson;M. Sandler
Jazz Ontology：爵士乐的语义模型和大型 RDF 存储库
影响因子：
2.5
作者：
Proutskova P
通讯作者：
Proutskova P