[Re]Mixing Space: Charting Sonic Accessibility and Social Equity in Creative Urban Contexts

[Re]Mixing Space: Charting Sonic Accessibility and Social Equity in Creative Urban Contexts
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[Re]混合空间:绘制创意城市环境中的声音可达性和社会公平

DOI:
10.1080/20507828.2019.1632619
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发表时间:
2020
影响因子:
0.8
通讯作者:
Renel W
Renel W
中科院分区:
--
文献类型:
--
作者:
Renel W

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在建筑环境的设计中,声音的包容——声音在空间中包含人的方式——很少受到关注。建议当代城市空间的设计和管理基于“听觉典型”的视角,主要关注那些“耳科正常”的听力。这种位置是由一种理想化的听觉模型驱动的,这种模型通过“好/坏”耳朵的二元定位来框架设计,并导致社会排他性的空间。相比之下,新兴的“听觉多样性”范式承认人类听觉的多样性,以及使听觉形态处于不断变化状态的众多因素。本文介绍了2017年在伦敦莎士比亚环球剧院举办的参与式声音映射研讨会和展览remixing the Globe的案例研究。研讨会召集了一群残疾成年人,每个人都有自我认定的声音排斥的生活经历。该团队利用数字技术,如双耳麦克风、压力传感器和智能手机激活的声音贴纸,来绘制整个建筑的声音物体、环境和体验。具体的重点是绘制被理解为与接纳或排斥聋人和残疾人有关的环境要素。研究结果强调了声波制图在研究城市空间可达性方面的重要作用。这篇文章呼吁建立一种新的声音映射政治,在这种政治中,聋人和残疾人的体现是重要的,通过这种政治,对城市空间中的声音和社会包容的批判性检查可以开始出现。
Sonic inclusion – the ways in which sound includes people in space – has received little attention in the design of the built environment. It is proposed that the design and management of contemporary urban space is grounded in an “auraltypical” perspective where the primary focus is those with “otologically normal” hearing. This position is driven by an idealized model of hearing that frames design through the binary positioning of “good/bad” ears and leads to spaces that are socially exclusive. In contrast, the emerging paradigm of “auraldiversity” acknowledges the diversity of human hearing and the multitude of elements that place the hearing modality within a state of constant flux. This article presents a case study ofRemixing the Globe, a participatory sound mapping workshop and exhibition held at Shakespeare’s Globe, London in 2017. The workshop brought together a cohort of disabled adults, each with self-identified lived experience of sonic exclusion. The group utilized digital technologies, such as binaural microphones, pressure sensors and smartphone-activated sound stickers, to map sonic objects, environments and experiences throughout the building. Specific focus was given to mapping the elements of the environment that were understood as pertinent to the inclusion or exclusion of d/Deaf and disabled people. Findings emphasize the important role that sonic cartography can play in examining accessibility in urban space. The article calls for a new politics of sound mapping in which d/Deaf and disability embodiment is foregrounded and through which a critical examination of sound and social inclusion in urban spaces can begin to emerge.
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