‘Hope for a Celestial City - A Triptych’: A musical composition for sustainability and cleaner productions for the Jing-Jin-Ji region, China
‘Hope for a Celestial City - A Triptych’: A musical composition for sustainability and cleaner productions for the Jing-Jin-Ji region, China
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“天城希望 - 三联画”：中国京津冀地区可持续发展和清洁生产的音乐作品
DOI：
10.1016/j.jclepro.2016.09.087
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发表时间：
2017
影响因子：
11.1
通讯作者：
Ulgiati S.
中科院分区：
文献类型：
--
作者：
Casazza M.;Ferrari C.;Liu Gengyuan;Ulgiati S.
构建更好的生活方式替代方案以及解决现代经济和自然资源的集约开发所产生的环境问题当然需要更好的科学技术。然而，尽管像科学一样非常重要，但仅由一个学科领域提供所需的全球性复杂的解决方案是不太可能的。解决方案需要胸怀开阔的方法和对地球生命多维性的全面理解。需要各种工具和方法来实现向更清洁、更健康的环境的过渡，不仅要捕捉生活表达的复杂性，还要重视和欣赏语言、叙述和观点（科学、艺术、经济、社会等）的复杂性，这些可能导致“天城”，这是更好的生活方式的隐喻。这项工作探讨了代表艺术和社会语言的音乐作品的意义和潜在贡献，以激发过渡过程，特别关注中国京津冀 (JJJ) 地区。这首作品是《天国希望——三联画》，是一首小提琴独奏作品，由卡洛塔·法拉利创作，由三部分组成。它的灵感来自于未来“城市”群的设计，例如中国京津冀的城市化地区。该作品引用了班扬的《天城》（此表达指的是约翰·班扬于1678年写的《天路历程》），以此来反思JJJ的过去、现在和未来。该作品的灵感来自于三组引言。每个部分又分为两个小部分：第一个部分称为“文献引用”，它也可以作为乐曲各部分的非科学参考；另一方面，第二个包含一组科学和技术参考来指导和奠定音乐的灵感。作品的第一部分表现了工业文明的傲慢，“人类征服自然”，特别关注JJJ。第二部分集中于令人费解和反省的精力和工作。特别是，这个概念是人类活动对环境和社会进步既可能有害也可能有益。第三部分代表人类生活和活动向另一个城市的“朝圣”：天城，在那里努力实现和谐和可持续生活的结果。换句话说，通过将京津冀地区内外现有的城市体系从竞争转变为合作，可以建设更加可持续的城市。落实调控目标、优化产业结构和基础设施、实现煤炭消费和大气污染双减，被视为实现更加公平、更加美好生活的重要技术步骤，在更加健康的城市环境中实现居民之间联系、互动和交流的新模式。美学探究、多种语言和新的创意方法的使用代表了对加速向更加可持续和公平的后化石碳社会过渡的支持，特别是在城市群不断扩大的情况下。这项作品代表了一种通过音乐创作和表演进行艺术参与的方法论。这个过程的目的是产生集体反思并产生变革的力量。音乐表演激发了集体反思。此外，这是将艺术家的贡献纳入重要的可持续发展问题的一种方式。最后，这项工作表明音乐可以支持科学信息的交流，这可能很难……
The construction of better alternatives to the present lifestyles and the solution of the environmental problems generated by modern economies and intensive exploitation of natural resources certainly require better science and technology. However, it is very unlikely that the needed global and complex solutions may be provided by one disciplinary field only, although very important, as science is. Solutions require broad minded approaches and comprehensive understanding of the multi-dimensionality of life on earth. A variety of tools and ways to approach the transition towards a cleaner and healthier environment is needed, not only to capture the complexity of life expressions, but also to value and appreciate the complexity of languages, narratives and points of view (scientific, artistic, economic, social, among others) that may lead to the “Celestial City”, a metaphor for better ways of living.This work explores the meaning and the potential contribution of a musical piece, representative of art and social languages, to inspire a transition process, with specific focus on Jing-Jin-Ji (JJJ) region, China. The piece is the 'Hope for a Celestial City – A Triptych' is a three-sections work for solo violin, composed by Carlotta Ferrari. It is inspired by the designed future 'urban' agglomerations such as the urbanised region of Jing-Jin-Ji, China. The piece refers to Bunyan's 'Celestial City' (this expression refers to 'The Pilgrim's Progress', written by John Bunyan in 1678) as a way to reflect on the past, present and future of JJJ. The work is inspired by three sets of quotes. Each of them is divided in two sub-sections: the first one is referred to as 'literature quote', which serves also as non-scientific reference for each section of the musical composition; the second one, on the other side, contains a set of scientific and technical references to guide and base the inspiration of the music. The first part of the piece represents the arrogant industrial civilization, “humans subdue nature”, with a particular attention to JJJ. The second part is focused on puzzling and soul-searching energy and work. In particular, the concept is that human activities can be either harmful or beneficial both for the environment and for elevating the society. The third part represents the 'pilgrimage' of human life and activities towards a different city: the Celestial City, where efforts achieve the result of harmonious and sustainable life. In other words, a more sustainable city can be built by transforming the present urban systems from competition to cooperation within and beyond Jing-Jin-Ji region borders. Implementing control targets, optimizing industrial structures and infrastructures, and achieving both coal consumption and air pollution reduction are seen as important technical steps towards more equitable and fulfilling life, where new patterns of connection, interaction, and exchange among residents are achieved within a healthier urban environment. The use of aesthetic inquiry, multiple languages and new creative approaches represents a support for accelerating the transition toward a more sustainable and equitable post fossil-carbon society, in particular in the case of expanding urban agglomerations. This work represents a methodological approach to artistic engagement trough music creation and performance. The purpose of such a process is to generate a collective reflection and to produce a transformative power. The collective reflection is stimulated by music performance. Furthermore, this is a way to include the contribution of artists into an important sustainability issue. Finally, this work demonstrates that music can support the communication of scientific messages, which could be difficult to be …
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影响因子：
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作者：
V. Kirchberg;Sacha Kagan
通讯作者：
V. Kirchberg;Sacha Kagan
城市生态系统中的跨界总悬浮颗粒物（TSPM）
影响因子：
3.1
作者：
S.Y. Yang;B. Chen;B. D. Fath
通讯作者：
B. D. Fath
DOI：
10.1016/b978-0-08-028127-8.50009-x
发表时间：
1975
期刊：
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影响因子：
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作者：
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通讯作者：
Richard J. Smith;F. Capra
DOI：
10.2307/2231206
发表时间：
1973-06
期刊：
Wiley Interdisciplinary Reviews: Water
影响因子：
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作者：
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通讯作者：
N. Georgescu-Roegen
影响因子：
64.8
作者：
Sanjay Khanna
通讯作者：
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