Musicological Observations During Rehearsal and Performance: a Linked Data Digital Library for Annotations

Musicological Observations During Rehearsal and Performance: a Linked Data Digital Library for Annotations
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排练和表演期间的音乐学观察:链接数据注释数字图书馆

DOI:
10.1145/3358664.3358669
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发表时间:
2019
期刊:
--
影响因子:
--
通讯作者:
Lewis D
Lewis D
中科院分区:
--
文献类型:
--
作者:
Lewis D

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在本文中,我们提出了一个工具包,建立在一个可重用的关联数据框架,支持创建定制的用户界面的现场活动,其中一个学者的意见可以记录。这些观测结果以关联数据注释的形式发布,如果观测结果和媒体可以在数字图书馆中访问,则可以随后在同步的可导航界面中回放。由于对此类界面的要求因事件和相关学者的兴趣而异,因此每个界面也可能不同,因此,我们提出了一个工具包,而不是一个单一的工具。在现场活动中注释乐谱支持私人分析和音乐学观察的交流,并为索引记录媒体提供了有用的机会,从而提高了在大型数字图书馆中的访问。虽然视听记录保留了高层次的细节,但它们可能很难搜索或总结;带有音乐和音乐学见解的注释增加了改善用户导航的结构。这样的注释需要仔细定义的语义和考虑表达的复杂性和复杂性之间的平衡的数据和创作接口(旁边的不同要求的学者)。我们描述了我们的工具包和它的使用在开发一个基于平板电脑的应用程序的音乐学家在一个大师班的Delius的弦乐四重奏。我们进一步展示了对应用程序的适应,以应对其缺点。对于艺术和人文学科的奖学金,至关重要的是要有针对所涉及的学者和被注释的事件的具体要求的工具。我们比较了Delius案例中注释的高度规定性与之前的工作,其中涉及音乐学家在现场歌剧表演期间在乐谱和垫上数字记录观察结果。这种比较引导我们讨论一方面自由和表达能力,另一方面语义精确性之间的平衡,找到一个平衡,仍然呈现一个界面,不过分妨碍用户在真实的时间注释是一个重要的设计考虑因素。我们得出结论,一个音乐感知但通用的工具包,如我们的音乐学研究可以提供有价值的支持,只要注意规划和设计,并且考虑注释的表达和复杂性之间的这种平衡。
In this paper, we present a toolkit built on a reusable Linked Data framework supporting the creation of bespoke user interfaces for live events in which a scholar’s observations can be recorded. These observations are published as Linked Data annotations and, where the observations and media are accessible in a digital library, they can be subsequently played back in a synchronised, navigable interface.Since requirements for such interfaces vary widely depending on the events and the interests of the scholars involved, each interface is also likely to be different, and so we propose a toolkit rather than a single tool.Annotating scores during live events supports private analysis and the communication of musicological observations, and offers useful opportunities for indexing recorded media, so enhancing access in larger digital libraries. Although audio-visual recordings preserve high levels of detail, they can be hard to search or summarise; annotations with musical and musicological insights add structure that improves user navigation. Such annotations require carefully defined semantics and consideration of the balance between expressive sophistication and complexity of data and authoring interfaces (alongside the differing requirements of scholars).We describe our toolkit and its use in developing a tablet-based app for musicologists during a masterclass of Delius’s String Quartet. We further show adaptations made to the app to respond to its shortcomings.For scholarship in the arts and humanities, it is vital to have tools that are tailored to the specific requirements of the scholars involved and the events being annotated. We compare the highly-prescribed nature of the annotations in the Delius case with prior work involving a musicologist recording observations digitally on a score and pad during a live opera performance. This comparison leads us into a discussion of the balance between freedom and expressive power on the one hand and semantic precision on the other, finding a balance that still presents an interface that does not overly encumber a user annotating in real time is an important design consideration.We conclude that a musically-aware but generic toolkit such as ours can provide valuable support for musicological research, provided care is given to planning and design and when this balance between expression and complexity of annotations is taken into account.
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