AI, a wicked problem for cultural policy? Pre-empting controversy and the crisis of cultural participation

AI, a wicked problem for cultural policy? Pre-empting controversy and the crisis of cultural participation
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人工智能,文化政策的一个棘手问题?

DOI:
10.1080/10286632.2022.2137151
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发表时间:
2022
影响因子:
1.8
通讯作者:
Rindzeviciute E
Rindzeviciute E
中科院分区:
法学3区
文献类型:
--
作者:
Rindzeviciute E

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本文探讨了先发制人的争议作为一个例子,在数字媒体的文化参与邪恶的问题的做法。借鉴科学和技术研究(STS),对控制论,人工智能(AI)和政策研究的历史研究,它认为正在进行的数字化转型和算法公共领域的扩展并没有解决,而是放大了文化参与的问题,挑战了文化政策中的“参与性转向”,文化政策是指文化政策的重新定位,以鼓励不同利益攸关方参与不同阶段的政策制定。通过两个案例分析了这一过程:画家Philip Guston在美国的回顾展被推迟,以及立陶宛以苏联立陶宛作家Petras Cvirka纪念碑为中心的公共艺术项目被先发制人地禁止。在这两种情况下,通过先发制人的风险管理适得其反,并揭示了缺乏预见和应对数字社会的机构准备。
This article explores the practice of pre-empting controversy as an example of the wicked problem of cultural participation in the digital media. Drawing on science and technology studies (STS), research into the history of cybernetics, artificial intelligence (AI), and policy studies, it argues that the ongoing digital transformation and the expansion of the algorithmic public sphere does not solve but amplifies the problem of cultural participation, challenging the ‘participatory turn’ in cultural policy, defined as cultural policy’s re-orientation to encourage participation of different stakeholders at different stages of policymaking. This process is analysed through two cases: the postponing of a retrospective exhibition of the painter Philip Guston in the United States and the pre-emptive ban of a public art project centred on a monument for the Soviet Lithuanian writer Petras Cvirka in Lithuania. In both cases, risk management through pre-emption backfired and revealed the lack of institutional preparedness to foresee and deal with the digital social.
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