Notes towards a 'social aesthetic': Guest editors' introduction to the special section.

Notes towards a 'social aesthetic': Guest editors' introduction to the special section.
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对“社会美学”的注释:客​​座编辑对特别部分的介绍。

DOI:
10.1111/1468-4446.12159
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发表时间:
2015
期刊:
The British journal of sociology
影响因子:
--
通讯作者:
Olcese C
Olcese C
中科院分区:
--
文献类型:
--
作者:
Olcese C

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社会学中出现了一种新兴的“美学转向”,目前缺乏明确的焦点。本文回顾了引起这一兴趣的不同问题,并为其发展做出了贡献。先前对这种关系的渲染已经将美学与社会学对立起来,作为一种强调,它“困扰”了对社会性的传统理解,并且没有提供调和美学与社会的现成方法。反思近期社会理论家的贡献,包括布迪厄、伯恩、朗西<s:1>雷、德勒兹和马丁,我们主张社会美学的价值,它批判了对社会本身的工具主义和简化的理解。在解释这可能采取的形式时,论文的后半部分提出了古典现代主义美学概念的问题,这些美学概念继续主导着大众和社会学对美学的理解,并使用“行走”的主题来展示美学如何以“世俗的搜索”的方式呈现,以及这种搜索如何跨越日常经验和文化再生产。我们提供了社会美学的临时定义,作为嵌入和具体化的意义制造过程,通过承认居住世界的物理/物质边界和质量,也允许想象力跨越其他空间和时间。希望这种方法可以成为进一步研究的有用平台。
There is an emerging ‘aesthetic turn’ within sociology which currently lacks clear focus. This paper reviews the different issues feeding into this interest and contributes to its development. Previous renderings of this relationship have set the aesthetic up against sociology, as an emphasis which ‘troubles’ conventional understandings of sociality and offers no ready way of reconciling the aesthetic with the social. Reflecting on the contributions of recent social theorists, from figures including Bourdieu, Born, Rancière, Deleuze, and Martin, we argue instead for the value of a social aesthetic which critiques instrumentalist and reductive understandings of the social itself. In explicating what form this might take, the latter parts of the paper take issue with classical modernist conceptions of the aesthetic which continue to dominate popular and sociological understandings of the aesthetic, and uses the motif of ‘walking’ to show how the aesthetic can be rendered in terms of ‘the mundane search’ and how this search spans everyday experience and cultural re‐production. We offer a provisional definition of social aesthetics as the embedded and embodied process of meaning making which, by acknowledging the physical/corporeal boundaries and qualities of the inhabited world, also allows imagination to travel across other spaces and times. It is hoped that this approach can be a useful platform for further inquiry.
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