Place, Emotion, and Regional Identity

地点、情感和区域认同

基本信息

  • 批准号:
    0850723
  • 负责人:
  • 金额:
    $ 6.4万
  • 依托单位:
  • 依托单位国家:
    美国
  • 项目类别:
    Continuing Grant
  • 财政年份:
    2009
  • 资助国家:
    美国
  • 起止时间:
    2009-05-01 至 2012-04-30
  • 项目状态:
    已结题

项目摘要

Dr. Anand Pandian, of Johns Hopkins University, will investigate questions of political regionalism and identity through a systematic examination of the use of place in Indian commercial cinema. India has the largest film industry in the world, and its films have had a profound impact on public culture. Indian commercial films make deliberate use of location to provoke affective responses among projected audiences. The project focuses on the Tamil-language regional cinema of south India, where filmmakers have sought since the late 1970s to project cultural identity as an artifact of regional custom and local cultural practice. However, in the 1990s, localism began to yield to broader currents of cultural globalization, with film crews traveling thousands of miles to shoot scenes in far-flung European, Asian, and African localities. With this spatial shift in mind, the project examines why and how filmmakers in contemporary south India connect with the emotions of their audiences by working on their spatial imaginations and what consequences these tactics have regional, national, and international identity.The research will be carried out through an intensive ethnographic study of filmmakers and film production practices in south India: the social worlds and daily practices through which filmic spaces are manufactured and charged with feeling. Research methods will include interviews, archival research, participant observation with working film units, and text analysis. The research is important because it will contribute to social scientific understanding of media production and the role that media plays in cultural identity. The project also will contribute to a deeper public understanding of three phenomena: the cultural forces propelling contemporary globalization; the powerful emotional effects that media have upon everyday life throughout the world; and the means by which ordinary experience has itself become mediated by technologies like cinema and television.
约翰·霍普金斯大学的阿南德·潘迪安博士将通过对印度商业电影中地点使用的系统考察,研究政治地域主义和身份认同问题。印度拥有世界上最大的电影工业,其电影对公共文化产生了深远的影响。印度商业电影故意利用地点来激起预期观众的情感反应。该项目主要关注南印度的泰米尔语地区电影,自20世纪70年代末以来,电影人一直在寻求将文化认同作为地区习俗和当地文化实践的产物。然而,在20世纪90年代,地方主义开始屈服于文化全球化的更广泛潮流,电影摄制组旅行数千英里到遥远的欧洲、亚洲和非洲的地方拍摄场景。考虑到这种空间上的转变,该项目探讨了当代印度南部的电影人为什么以及如何通过他们的空间想象力与观众的情感联系起来,以及这些策略对地区、国家和国际身份的影响。这项研究将通过对南印度电影人和电影制作实践的深入的民族志研究来进行:社会世界和日常实践,通过这些实践,电影空间被制造和充满了感情。研究方法将包括访谈,档案研究,参与观察与工作的电影单位,和文本分析。这项研究很重要,因为它将有助于对媒体生产和媒体在文化认同中所起作用的社会科学理解。该项目还将有助于加深公众对以下三个现象的理解:推动当代全球化的文化力量;媒体对全世界日常生活的强大情感影响;普通经验本身也通过电影和电视等技术成为媒介。

项目成果

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Anand Pandian其他文献

Agrobacterium-mediated transformation protocol to overcome necrosis in elite AustralianBrassica juncea lines
  • DOI:
    10.1007/bf02914050
  • 发表时间:
    2006-03-01
  • 期刊:
  • 影响因子:
    1.400
  • 作者:
    Anand Pandian;Clive Hurlstone;Qing Liu;Surinder Singh;Phil Salisbury;Allan Green
  • 通讯作者:
    Allan Green

Anand Pandian的其他文献

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{{ truncateString('Anand Pandian', 18)}}的其他基金

Doctoral Dissertation Research: Networks, Decision Models, and Moral Economies in Ecological Agriculture
博士论文研究:生态农业中的网络、决策模型和道德经济
  • 批准号:
    1823710
  • 财政年份:
    2018
  • 资助金额:
    $ 6.4万
  • 项目类别:
    Standard Grant

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